Steve Reich reviews

Peter McCallum reviews the Steve Reich Celebration for the SMH:
…and from Murray Black at The Australian:

Peter McCallum reviews the Steve Reich Celebration for the SMH:
…and from Murray Black at The Australian:
The Hilliard Ensemble Great Hall, University of Sydney 15 January 2014 “A Hilliard Songbook” The Hilliard Ensemble was formed in 1974 by Paul Hillier, who directed their early performances. The composition of the four members of the group has changed slowly over time and now only the counter-tenor David James remains from the founding…
It was the final rehearsal of Opera Australia’s production of Offenbach’s Orpheus in the Underworld and Artistic Director Lyndon Terracini’s pre-curtain up announcements presaged something different. For this performance only, the audience was encouraged to tweet and secondly, they would be allowed to take photos during the final curtain calls. Stepping even further away from…
I Fagiolini, the British vocal ensemble directed and conducted by Robert Hollingworth, celebrates its thirtieth anniversary with a new recording, Amuse-Bouche (Decca Classics 478 9394), a 29 track collection of ‘French choral delicacies’ from the late 19th and early 20th centuries, released in April 2016. To highlight the Australian connections, I Fagiolini toured Australia in 2015 for Musica…
Mozart’s Jupiter The Australian Brandenburg Orchestra City Recital Hall, September 3rd, 2014. The Concerto for Flute and Harp was surely the highlight in this programme of music by Mozart performed by flautist Melissa Farrow and harpist Marshall McGuire with the Australian Brandenburg Orchestra conducted from the fortepiano by Artistic Director Paul Dyer AO. The evening comprised…
Hot on the heels of their performance of Handel’s magnificent oratorio Samson in May, Pacific Opera Studio’s ensemble of developing operatic artists presented a “pocket opera” version of Mozart’s great singspiel Die Zauberflote (The Magic Flute).
The Art of Violin, presented by Bach Akademie Australia in its debut performance in the Utzon Room of the Sydney Opera House, was a riveting exploration of the art of the Baroque violin at the end of the 17th century.