…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald: http://www.smh.com.au/entertainment/music/groups-bent-for-innovation-is-lost-in-fragments-of-sound-20120816-24b7y.html
Opera Australia’s production of Mozart’s Don Giovanni opened in Sydney on Saturday night: http://www.smh.com.au/entertainment/opera/by-cad-this-don-has-really-got-what-it-takes-20110925-1krlu.html Evgeny Kissin with the Sydney Symphony Orchestra conducted by Vladimir Ashkenzy: http://www.smh.com.au/entertainment/music/princely-splendour-of-a-master-of-sound-and-articulation-20110923-1kpa1.html
Die tote Stadt, opus 12 by Erich Wolfgang Korngold. Opera in 3 acts with to a libretto by Paul Schott (Julius and E. W. Korngold) after Georges Rodenbach’s novel Bruges la morte. Opera Australia, Sydney Opera House June 30th 2012 It is a fortuitous collision of talent to have an opera composed by a prolific writer of cinematic music, directed by an Oscar…
Bach’s Universal Light Bach Akademie Australia Melbourne Digital Concert Hall October 2, 2020 It was a concert for our times when the Bach Akademie Australia presented Bach’s Universal Light, on Melbourne Digital Concert Hall. Livestreamed from the Cellblock Theatre at Sydney’s National Art School, founder and artistic director of the BAA, Madeleine Easton, gathered an…
Cavalleria Rusticana – Pietro Mascagni; Pagliacci – Ruggero Leoncavallo Opera Australia, Joan Sutherland Opera Theatre, Sydney Opera House, 12 January 2017 Opera Australia has continued its summer season with a new production of Cavalleria Rusticana and Pagliacci, following its customary New Year performances of La Bohème. This double bill is a joint enterprise with the…
Among his many virtues as a composer, Giacomo Puccini was above all, a master of contrast – musical, dramatic and ultimately emotional. He combined musical genius with an incisive theatrical instinct to create operas full of thrilling grandiosity and gripping intimacy, often within minutes of each other. Nowhere is this more evident than in…