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CD Preview: The Kiss/ Nicole Car/ Australian Opera And Ballet Orchestra/ Andrea Molino
Hot on the heels of her successful debut at the Royal Opera, Covent Garden, late in 2015 and several lauded roles for Opera Australia over the past few years, soprano Nicole Car has released her debut album The Kiss (ABC Classics). For the recording, Andrea Molino conducts the Australian Opera and Ballet Orchestra, an ensemble…
Concert Review: Messiah/ Australian Brandenburg Orchestra
Messiah – GF Handel The Australian Brandenburg Orchestra, Brandenburg Choir and soloists City Recital Hall, Sydney February 22, 2017 It is a delicious coincidence that the debut performance of Handel’s Messiah by the Australian Brandenburg Orchestra was held on the eve of Handel’s birthday. Handel set Messiah to words taken by Charles Jennens from the…
CD Review: Amuse-Bouche/ I Fagiolini
I Fagiolini, the British vocal ensemble directed and conducted by Robert Hollingworth, celebrates its thirtieth anniversary with a new recording, Amuse-Bouche (Decca Classics 478 9394), a 29 track collection of ‘French choral delicacies’ from the late 19th and early 20th centuries, released in April 2016. To highlight the Australian connections, I Fagiolini toured Australia in 2015 for Musica…
Cabaret Review: Prancer & Vixen/ The Strange Bedfellows
Prancer & Vixen: The Strange Bedfellows Leadbelly, Newtown 23 December, 2018 Written by Deen Hamaker This was not a standard Christmas show! With sarcastic tongues firmly stuck in cheeks, Jacqueline Dark as Vixen and Kanen Breen as Prancer, with their elf, Musical Director Daryl Wallis, providing excellent support, took us on a dark, sardonic journey,…
CD Review: Leonard Grigoryan’s ‘Solo’
Guitarist Leonard Grigoryan has made an emphatic statement with the release of his first solo CD, not surprisingly called Solo. Part of a brilliant music family, Leonard has appeared with his brother Slava as an extremely successful and highly regarded duo, The Grigoryan Brothers. With this CD, he demonstrates that he is as accomplished a solo artist…
Opera Review: La Calisto/ Sydney Conservatorium of Music Opera School
La Calisto, Francesco Cavalli Sydney Conservatorium of Music Opera School Sydney Conservatorium of Music May 20, 2017 Written by Deen Hamaker 17th Century Venice must have been quite a place to produce a work as wild as La Calisto. Even by today’s no holds barred artistic standards there are some outrageous situations in this wild…
