SSO’s choral contrasts reviewed

David Vance reviews the SSO conducted by David Zinman:

David Vance reviews the SSO conducted by David Zinman:
Something momentous happened on the opera stage this week. It was the debut in a major role, in Sydney, on the stage of the Opera House, of soprano Anna-Louise Cole, who sang the role of Turandot in Opera Australia’s eponymous production.
Cellist Zoe Knighton and pianist Amir Farid add to their anthology of recordings together, with this sixth album titled Schumann Cello, on the Move label. There is a beautiful synergy, passion and tremendous empathy between Knighton and Farid in their performance.
Playing a Fazioli concert grand-piano, Tsang impressed with his technical wizardry and versatility through Baroque, Classical, Romantic and Impressionist repertoire.
Ng plies a highly specialised craft, creating the illusion of a small ensemble from a single instrument. He draws on the features of the era, playing the melodic lines as well as enriching the texture with double and triple stops, weaving ornamentation and arpeggiated chords.
Gabriele Cassone playing the keyed trumpet with The Australian Brandenburg Orchestra, directed from the fortepiano by Paul Dyer, truly brought to life the title of the present series Dazzling Virtuoso with a breathtaking performance. A deliberate choice of adjective. The keyed trumpet, an instrument of the 18th century sits between the Baroque and the newer valved instruments, representing…
“A glorious mastery over these sometimes-troublesome instruments” says Peter McCallum in the Sydney Morning Herald. http://www.smh.com.au/entertainment/music/academy-of-ancient-music-sara-macliver-and-co-bring-clarity-and-comeliness-20131110-2x9m1.html …..and Graham Strahle reviews the Adelaide concert for The Australian http://www.theaustralian.com.au/arts/affectionately-yours-egarr-keeps-academys-ancient-history-alive/story-e6frg8n6-1226756826169