‘The Lighthouse’ reviewed
Sydney Chamber Opera recently presented a superb production of The Lighthouse by Sir Peter Maxwell-Davies, highy commended by those who saw it.
Peter McCallum reviews it for the Sydney Morning Herald:
Click here to read.
Similar Posts
Concert Review: Testament/ Acacia Quartet
Testament, Acacia Quartet 19 May,2019 The Independent Theatre, North Sydney Written by Ria Andriani Acacia Quartet’s programme Testament, was a rich offering, from the ice-breaker Mozart, to Alice Chance, reflective Mansurian and luscious Debussy. Mozart’s String Quartet in C major, K465, nicknamed ‘Dissonance’ offered a good introduction to the group’s character and musicality. Though considered dissonant…
‘ReImaginings’ – Joe Chindamo and Zoe Black
Costello and Krall, Barenboim and du Pre, Sutherland and Bonyge, Laine and Dankworth – all partners on stage and in life, sharing a performing life and a musical genre. Joe Chindamo and Zoe Black share all this as well, except for the fact that they hail from different music backgrounds. Whilst Black is classically trained,…
‘Villazon Verdi’ – more than opera
Mexican-born tenor Rolando Villazon’s return to singing after a hiatus due to throat surgery has been welcomed by his followers. After an absence of some three years from the recording scene, Villazon has released a solo CD Villazon Verdi singing the repertoire he does best. Released in November 2012. (DG 477 9460), the studio recording was made in Milan…
CD Review: SOAR/ Gondwana Chorale
The national youth choir Gondwana Chorale, conducted by Paul Holley and Carl Crossin, has released its debut recording SOAR. Featuring 16 tracks, both sacred and secular, most works are by living Antipodean composers. This repertoire is the hallmark of the ensemble, established in 2008, which has drawn its singers from around the nation. Contrasting with the…
Concert Review: Stephen Hough/ Musica Viva
Stephen Hough Musica Viva April 16, City Recital Hall, Sydney On his third national solo tour for Musica Viva, pianist Stephen Hough presented a programme that was deeply introspective and austere in its sentiments but ultimately uplifting, inspired by the diametrically opposed inspirations of the sacred and the salon. Opening his programme was the Sonata…
