Sculthorpe Tributes
As the nation reflects on the legacy of Peter Sculthorpe, writers review his life and work:
Click here to read Vincent Plush in The Australian, Philip Jones in The Australian, Joel Meares in the Sydney Morning Herald.
As the nation reflects on the legacy of Peter Sculthorpe, writers review his life and work:
Click here to read Vincent Plush in The Australian, Philip Jones in The Australian, Joel Meares in the Sydney Morning Herald.
Watched by more than 500 thousand viewers on ABC TV, the Royal Edinburgh Military Tattoo marched into Sydney’s ANZ Stadium in October 2019, with over 1500 performers from 14 countries coming together for the largest Tattoo ever staged in its 69-year history – only the fifth time that the Royal Edinburgh Military Tattoo has left…
Earlier this year, violinist Anne-Sophie Mutter gave a sensational performance at Berlin’s Neue Heimat club, recreating the impact of her legendary 2013 Yellow Lounge appearance, when she attracted one of the biggest crowds in the history of Deutsche Grammophon’s “classical-goes-clubbing” series. Now she’s taking the electric atmosphere further by making the first-ever live Yellow Lounge…
Nominations are open across a range of categories for the 2022 Art Music Awards.
This week’s programme from The Met: Monday, May 25 Berlioz’s La Damnation de Faust with Susan Graham Tuesday, May 26 Verdi’s Ernani with Ferruccio Furlanetto Wednesday, May 27 Puccini’s Manon Lescaut with Placido Domingo Thursday, May 28 Berlioz’s Les Troyens with Deborah Voigt Friday, May 29 Viewers’ Choice: Bellini’s La Sonnambula with Natalie Dessay Saturday,…
Last week soprano Rachel Bate was awarded the Opera and Arts Support Group Vocal Scholarship in the 80th Anniversary McDonald’s Sydney Eisteddfod. Singing Einsam in trüben Tagen from Lohengrin and Pace pace mio Dio from La Forza del Destino, adjudicators John Pringle and Graeme Pushee placed Rachel at the head of the six finalists finishing ahead of New…
Sydney Youth Orchestras under the inspiring leadership of Jessica Cottis on the podium brought the audience a celebration of the mercurial genius of Stravinsky, but much more – a celebration of the return to live performance and the exciting artistry of a new generation of Australian classical musicians.