The Sixteen reviewed….

The eighteen singers of The Sixteen and their twenty strong instrumental ensemble perform in Sydney:
http://www.smh.com.au/entertainment/music/baroque-masters-offer-rich-textures-20120228-1u0rq.html

The eighteen singers of The Sixteen and their twenty strong instrumental ensemble perform in Sydney:
http://www.smh.com.au/entertainment/music/baroque-masters-offer-rich-textures-20120228-1u0rq.html
Handel: Messiah St Mary’s Singers St Mary’s Cathedral, Sydney 6 December 2014 Performances of Handel’s Messiah are a habitual prelude to the Christmas season, with presentations in churches and concert halls throughout the country. Musical styles are as varied as the performance locations, ranging from attempts to recreate original eighteenth century practices to massed…
The Seraphim Trio: Anna Goldsworthy, piano/ Helen Ayers, violin/ Timothy Nankervis, cello The Seraphim Trio’s new recording of three Beethoven piano trios is a spin-off from their 2015 Beethoven Immersion project when they performed all Beethoven’s piano trios across a wide variety of venues around Australia. Throughout this recording they display the classic virtues of fine chamber…
ROBERT DE VISÉE Pieces for Theorbo is simply gorgeous to listen to. Its tranquility is as fitting for a 17th century court as it is for swooning on a beach or solitary introspection.
Mediterráneo/ Australian Brandenburg Orchestra with Daniel Pinteño, violin. City Recital Hall, Sydney 5 September 2018 Written by Deen Hamaker Although the baroque music of Germany, France and Italy are frequently heard, the baroque music of Spain is still a relative rarity and there is much unheard baroque repertoire from the Spanish-speaking world, emerging every year…
The Australian Chamber Orchestra’s new album release Bach | Beethoven: Fugue on ABC Classics, couples the contrapuntal writing of Johann Sebastian Bach and Ludwig van Beethoven, highlighting their similarities, whilst contrasting the styles in which they were written. Richard Tognetti leads his ensemble of 20 musicians, augmented with players from the Sydney and Melbourne Symphony…
Whatever the diet of musicians in Handel’s time, his performers must certainly have had tremendous stamina. ‘Messiah’ as Handel intended, for a chamber sized ensemble is a massive test of endurance, requiring a technique that supports the power of the ‘Hallelujah Chorus’, the coloratura of ‘All we like sheep’ and the hushed sostenuto of ‘Since by man came death’. After all this comes the mighty…