The Song Company’s ‘Sunken Dreams’ reviewed

Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald:

Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald:
The Rape of Lucretia, Benjamin Britten Sydney Chamber Opera/ Victorian Opera Carriageworks 19 August 2016 Written by Deen Hamaker Productions of Benjamin Britten’s operas have become a rare event in Sydney and performances of Britten’s most enigmatic work, The Rape of Lucretia, are even more rare. Last performed by The Australian Opera as part of…
Grieg’s virtuosic Piano Concerto in A minor has languished in recent years and its inclusion on the new album release Wonderland from Deutsche Grammophon, by the 28-year-old German pianist Alice Sara Ott represents a welcome return. Ott combines this all-Grieg anthology with a selection of Grieg’s Lyric Pieces and selections from Peer Gynt for solo…
Cellist Zoe Knighton and pianist Amir Farid add to their anthology of recordings together, with this sixth album titled Schumann Cello, on the Move label. There is a beautiful synergy, passion and tremendous empathy between Knighton and Farid in their performance.
Music on Music Sydney Chamber Choir Great Hall, The University of Sydney Saturday 30 March 2019 7.30pm Written by Victoria Watson Sydney Chamber Choir was formed in the 1970s by students of Sydney University. In the decades since, it has evolved into a fine, tightly knit ensemble of musicians, dedicated to presenting choral works that…
Revolutionary Romance, Australian Romantic and Classical Orchestra, Chamber Soloists, CIty Recital Hall, 17 September 2017 Written by Wendy McLeod It was a gentle spring afternoon in Sydney when the Chamber Soloists of the Australian Romantic and Classical Orchestra (ARCO) gathered to present Revolutionary Romance featuring chamber works by Mozart and Spohr, showcasing Australian clarinet virtuoso,…
Intrepid Voyagers Sydney Youth Orchestra Verbrugghen Hall, The Sydney Conservatorium of Music April 2, 2017 Written by Deen Hamaker There is a constant undercurrent of commentary on the future of classical music and whether it can survive into the future as our attention spans shorten and audiences drift away from traditional art forms. In the…