A long wait for this weill
A New York collector has discovered music by Kurt Weill, lost for nearly 70 years. Rather than being a boon, it became a millstone around his neck.
A New York collector has discovered music by Kurt Weill, lost for nearly 70 years. Rather than being a boon, it became a millstone around his neck.
The Australian Ballet’s hauntingly beautiful production of Nijinsky is on in Sydney at the Sydney Opera House until November 28. Here are some images form this exquisite production and you can read our review of it as well. Images supplied courtesy The Australian Ballet.
Grammy Award winning New Zealand born bass-baritone Jonathan Lemalu (he’s sung Leporello in Mozart’s Don Giovanni for OA in Sydney) has had to meet a new challenge – that of learning a libretto in Chinese. He talks about it in this blog. (The Grammy Award was in 2010 for Best Opera Recording Billy Budd) http://www.guardian.co.uk/music/musicblog/2012/mar/26/learning-to-sing-chinese-songs
London based pianist Zubin Kanga presented his recital Spectrum to an admiring and dedicated audience at the Independent Theatre in North Sydney recently. I was fortunate to speak with Zubin Kanga after the concert to reflect on its content and creation – a process substantially more enlightening than a preview or critique. Kanga performed 7 works…
As the world remembers fallen soldiers this week and the year marks the centenary of WW I, conductor Marin Alsop writes about the enduring power of Benjamin Britten’s War Requiem and why it is unique amongst sacred works. Click here to read.
Omega Ensemble is offering double passes to its concert The Nutcracker – a perfect start to the festive season. The music to Tchaikovsky’s beloved ballet has been specially arranged for chamber ensemble as the musicians of Omega Ensemble, Ensemble in Residence at the City Recital Hall are joined by some of our country’s finest musicians from the Sydney Symphony…
Violinist Nicola Benedetti will release a new album, Baroque, on the Decca Classics label on 16 July. This is the first album that the Grammy Award- winning Benedetti has released on a period set-up, including gut strings. She is joined by a leading group of freelance baroque musicians, forming the inaugural Benedetti Baroque Orchestra.