A long wait for this weill

A New York collector has discovered music by Kurt Weill, lost for nearly 70 years. Rather than being a boon, it became a millstone around his neck.

A New York collector has discovered music by Kurt Weill, lost for nearly 70 years. Rather than being a boon, it became a millstone around his neck.
The Australian Chamber Orchestra (ACO) has returned from a triumphant debut as artists-in-residence at London’s Barbican Centre, with The Times reporting “Richard Tognetti, leading from the front in every sense, embodies everything that makes his band special” and The Guardian heaping high praise on the ensemble describing a “A performance that buzzed with exuberance and a…
Thaïs Opera Australia Sydney Town Hall 22 July 2017 Written by Deen Hamaker Jules Massenet was an incredibly popular opera composer during his lifetime and churned out over 30 operas from La grand’tante in 1867 to his final operas which premiered after his death in 1912. His professional life spanned the late 19th and 20th…
Continuing their 15th anniversary celebrations, The Marais Project’s Director, Jennifer Eriksson, combines with versatile young musicians Susie Bishop (violin, treble viol and voice) and Emily-Rose Šárkova (piano, harpsichord and piano accordion) in their August concert entitled Collusion. Classically trained both in Australia and in Europe, but adept across a range of genres including tango, world…
The last days of Wolfgang Amadeus Mozart abound in myth and mystery. Writer, broadcaster and lecturer Richard Wigmore unravels the events of Mozart’s final year in Gramophone Magazine.
“Bach is like Shakespeare. They both contain universal themes, which is why we can still relate to Romeo and Juliet; it’s why we go to see West Side Story or Miss Saigon. Look at how badly Otello the Moor was treated – these themes recur every day and they are themes that Bach deals with…
Mozart’s Requiem at the Adelaide festival 2020. All images courtesy Festival d’Aix-en-Provence 2019 © Pascal Victor SoundsLikeSydney was in the audience for the premiere season of Romeo Castellucci’s production of Mozart’s Requiem, with superstar Australian-born soprano Siobhan Stagg, at the Aix-en-Provence Festival last year. The production was a highlight of the festival and will be…