Angela Hewitt reviewed
Peter McCallum reviews Angela Hewitt’s recital for the Sydney Morning Herald:
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Salome reviewed
The character Salome has about as many layers as veils with which she is draped. Gale Edwards directs a thoughtful and refreshing take on the eponymously titled opera by Richard Strauss, which opened in Sydney last week. The narrative is beautifully integrated with Julie Lynch’s costumes, Brian Thomson’s set designs and Kelley Abbey’s choreography. The production is supremely well presented…
Review: Das Rheingold, Opera Australia
Opera Australia: Der Ring des Nibelungen: Das Rheingold Arts Centre Melbourne/18 November 2013 ***** There was certainly a buzz of excited anticipation as opera lovers mingled with the glitterati for the unveiling of Opera Australia’s first Ring Cycle – the monumental work that is said to mark the coming of age of an opera…
baroque duets break ground
“Baroque Duets” a new CD release, has a lot to say for itself. First and foremost, it is a superb compilation of Baroque vocal music, eminently listenable but away from the beaten track; it is also a historically informed and technically well executed performance by singers and instrumentalists on period instruments; it even contains a…
CD Reviews: Especially For Movie Buffs – Spectre And Music From Star Wars
Especially for movie buffs, Decca has released two CDs to coincide with the premieres of two holiday blockbusters. Spectre is the soundtrack from the James Bond movie of the same name; John Williams Conducts Music from Star Wars is a double album compilation of astral-themed music synchronised with the launch of the latest in the…
The Song Company’s ‘Sunken Dreams’ reviewed
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Concert Review: Beethoven’s Pastoral/ Australian Haydn Ensemble
The instruments, techniques and musicianship of the AHE are integral to its distinctive sound – a critical element in keeping this historic, genteel and entertaining style alive.
