Casting quotas in opera
OA artistic director Lyndon Terracini believes that quotas on the hiring of non-Australian singers should be lifted.
OA artistic director Lyndon Terracini believes that quotas on the hiring of non-Australian singers should be lifted.
BBC Music magazine turns 20 next month and to mark the occasion, has collected images from 20 outstanding opera productions over the past 20 years. Take a look at this intriguing picture gallery – and to add some spice, hide the caption and try to guess the opera, the production, the year and the singers….
Following the success of baritone José Carbó’s portrayal of Rodrigo in Opera Australia’s recent production of Verdi’s Don Carlo, ABC Classics have re-released Carbó’s popular 2012 CD My Latin Heart. On it, Carbó performs with guitarists Slava and Leonard Grigoryan to perform much-loved Latin-American songs that are special to them. The program includes Piazzolla’s Ave Maria and Tango Suite plus tantalising works by Mariano Mores, Carlos Gardel and Alfredo Le Pera, Juan de Dios Filiberto,…
The Federal Minister for the Arts, The Hon Simon Crean has invited public contributions to a discussion paper that will result in the formulation of a National Cultural Policy for Australia – the first one in 20 years. Estimating the 90 % of Australians participate in the arts, the Minister aims to create a 10 year plan that will…
Hearty congratulations to Musica Viva CEO Mary Jo Capps who last week was awarded the degree of Doctor of Visual and Performing Arts honoris causa by the University of Melbourne, in recognition of her extensive contribution to music and the University. This is the highest honour that the university can bestow. Professor Barry Conyngham, Dean of the Faculty of VCA&MCM said,…
The tragic tale of the broken-hearted clown comes to life in Pagliacci, Opera Australia’s verismo double-bill with Cavalleria Rusticana which opened in Sydney last week. Director Damiano Michieletto has linked the two works dramatically with several of the main characters from one opera appearing the other. Read our review from opening night and see these luscious…
Hard to believe, but the youthful Sir Simon Rattle will be nearly 62 in 2018, when he plans to leave the Berlin Philharmonic, which he joined as Chief Conductor in 2002, heralding the beginning of a search for a worthy successor: http://www.classical-music.com/news/sir-simon-rattle-leave-berlin-phil-2018