Closer ties for the arts in Austral-asia
The federal government wants to build reciprocal relationships with arts bodies in Asia as part of closer ties with the continent
The federal government wants to build reciprocal relationships with arts bodies in Asia as part of closer ties with the continent
Images from An Evening with the Viennese Titans, held last weekend in which orchestra seventeen88 conducted by Benjamin Bayl performed the music of Mozart, Beethoven and Schubert, with solo flautist Georgia Browne. Rachael Beesley led the ensemble form the violin in the dramatic New Hall at Sydney Grammar School. Scroll down to see all four…
Baritone Morgan Pearse will soon be moving from London, his home of recent years, to Houston, Texas, where he has been offered a position with the Studio Programme of the Houston Grand Opera. The prestigious HGO Opera Studio offers an integrated programme involving study in voice, drama and affiliated areas, opportunities to perform and…
Fresh from thrilling audiences with her portrayals of Erda and Waltraute in Neil Armfield’s production of The Ring by Wagner for Opera Australia in 2013, mezzo-soprano Deborah Humble is back in Australia for more Wagner and even more besides, with Mendelssohn and Handel on her schedule – none of it in the opera theatre. Humble is in…
Connor D’Netto (Qld) and Maria Grenfell (Tas) are the recipients of The Australian Music Centre’s MOMENTUM Commissions. Each composer receives $2,500 towards the commission of a proposed work. Artists were called to propose a new work for a small chamber ensemble and voice, inspired by nature and the Australian environment. Connor D’Netto’s proposed work will explore…
Tom Service of The Guardian begins a year – long journey which explores the symphony and how it changed our world. The word was first used in the 16th century and referred to music for various combinations of voices and instruments, like Gabrieli’s Sacrae symphoniae, 1597. The symphony as we know it today took shape…
This is a really important feature from theatre critic Jane Howard, writing in The Guardian about the culture of arts criticism in Australia, the loss of “critical dialogue” and a plurality of views. It applies as much to music as it does to the theatre. A recommended read.