Das Rheingold in Brisbane reviewed

If you didn’t make it to Brisbane to hear Simone Young conduct the Hamburg State opera and Philharmonic Orchestra in concert performnce of Das Rheingold, here’s a review by Matin Buzacott for The Australian.

If you didn’t make it to Brisbane to hear Simone Young conduct the Hamburg State opera and Philharmonic Orchestra in concert performnce of Das Rheingold, here’s a review by Matin Buzacott for The Australian.
Wilcox proves that as she presses the ‘play’ button on the music of the future, she doesn’t hit the ‘delete’ button on music of the past. She has drawn on it for inspiration, inclusion and elaboration.
The Barber of Seville – Gioachino Rossini Opera Australia, 28 January 2016 Joan Sutherland Theatre, Sydney Opera House. Elijah Moshinsky’s 1995 production of Rossini’s Barber of Seville has proven, over the subsequent 20 years, to be one of the company’s most popular and enduring. Although set in the 1920s it is an otherwise traditional production…
Turandot – Giacomo Puccini Opera Australia, 24 June 2015 Joan Sutherland Theatre, Sydney Opera House It is now 25 years since Graeme Murphy’s much-admired production of Turandot was first seen in 1990. During that time it has achieved almost iconic status because of the sheer beauty of many of its stage pictures. Murphy’s background as a choreographer is evident throughout as the opera unfolds in a series of…
The Concert Hall of the Sydney Opera House was awash with relentless cascades of Wagnerian sound as the Sydney Symphony Orchestra under the direction of Chief Conductor Simone Young presented a stunning concert production of Die Walküre.
Cavalleria Rusticana – Pietro Mascagni; Pagliacci – Ruggero Leoncavallo Opera Australia, Joan Sutherland Opera Theatre, Sydney Opera House, 12 January 2017 Opera Australia has continued its summer season with a new production of Cavalleria Rusticana and Pagliacci, following its customary New Year performances of La Bohème. This double bill is a joint enterprise with the…
Music critic Michael Church once noted the existence of “Those who mistakenly believe that historical operas by dead composers can only be made ‘relevant’ if they are updated and taken out of their traditional theatrical context”.* Whether or not you subscribe to this view, Opera Australia’s Roger Hodgman directed offering of Verdi’s masterpiece Rigoletto demonstrates…