More soloists announced for Sappho

 

Peggy Glanville-Hicks

 

In November last year, Sounds Like Sydney published an interview with emerging conductor Jennifer Condon, presently working as Souffleuse at the Hamburg State Opera.

http://soundslikesydney.com.au/wp-admin/post.php?post=5917&action=edit

She has however, a burning ambition which has dictated much of how she has spent her time for past 10 years: she wants to bring to life Sappho, the last opera of Peggy Ganville-Hicks, first as a recording and then on stage – and she wants to release the CD in time for the Glanville-Hicks birth centenary later this year.

Jennifer Condon was visiting Sydney to publicise her project when she spoke to Sounds Like Sydney in November 2011. She announced the not insignificant offer from Lawrence Foster, director of the Gulbenkian Orchestra and chorus to allow her to conduct them in the recording. In something of a casting coup she has also secured the services of Wagnerian soprano Deborah Polaski as Sappho and bass Sir John Tomlinson as Kreon, her husband.

In an exciting communique from Hamburg, Condon is now able to announce that Wagnerian baritone Wolfgang Koch will sing the role of Minos and baritone Nmon Ford will sing Diomedes.

She adds that awareness of the project is growing in both London and in Hamburg. ” We’re on track for a timely release before Peggy’s 100th. I’m still fundraising, which is a slow process – it’s mostly more work on the music and getting ready for rehearsals with singers.”

Find out more about the project at:

http://www.sappho.com.au/

….and about the singers at:

http://www.deborahpolaski.com/

http://www.johntomlinson.org/

http://www.lewin-management.com/artists/20_Wolfgang+Koch

http://www.nmonford.com/index.cfm

 

 

 

Similar Posts

  • Beethoven recomposed

    Mahler’s 10th symphony and Debussy’s String Quartet in G are amongst works that have been not just been discovered posthumously, but which have been re-constructed into a work that can be performed. Barry Cooper, a Professor of Music at Manchester has filled in the missing pieces from Beethoven’s 2nd String Quartet….

  • Lost Stravinsky Score Discovered

    Oh the joy of a serendipity….of discovering a lost score long after its composer is no more. This is the story of  Igor Stravinsky’s 1908 piece, Pogrebal’naya Pesnya (Funeral Song) written in memory of his teacher, Nikolai Rimsky-Korsakov, shortly after Rimsky’s death in June  that year. The 12-minute work was performed only once, in a Russian symphony…

  • Art Music Award Nominees 2015

    The 2015 APRA/AMCOS Art Music Award for Distinguished Services to Australian Music has been given to composer, pianist and scholar Larry Sitsky AM for his “significant and enduring contribution to Australian music.” The award will be made at the 2015 Art Music Awards ceremony on Tuesday 11 August. The recipient of the Distinguished Services to Australian Music award is…

  • Notes on memory

    Performing is a curious business. It regularly throws up conundrums and contradictions and one of those is the phenomenon of memory.  Dancers develop their muscle memory from hours of rehearsal and cues from the accompaniment; memorising lines is implicit in being an actor.  Solo instrumentalists almost always perform from memory.  All opera singers work from memory, yet…

Leave a Reply

Your email address will not be published. Required fields are marked *