of mice and men
Matthew Westwood previews opera Australia’s upcoming production.
http://www.theaustralian.com.au/news/arts/american-dreams/story-e6frg8n6-1226089024397
Matthew Westwood previews opera Australia’s upcoming production.
http://www.theaustralian.com.au/news/arts/american-dreams/story-e6frg8n6-1226089024397
An engaging new work by Sydney based Australian composer Andrew Schultz has been included on a recently released album, Winter’s Warmth, by the American label, Navona. Schultz’s Falling Man, Dancing Man (opus 68) is a three-movement concerto for orchestra and solo pipe organ. It was commissioned by Symphony Australia and written and premiered in 2005…
Applications are now open for Ensemble Offspring’s 2017 Hatched Academy, an intensive music program aimed at providing practical experience to emerging innovative young Australian performers and composers. Ensemble Offspring is looking for composers and performers under 30 with a passion for the ‘sonic weird and wonderful’. Designed to provide practical experience, the Academy will equip artists…
Declared “a resounding triumph”, George Palmer’s new operatic adaptation of Tim Winton’s novel Cloudstreet, produced by the State Opera of South Australia, had the audience rising to its feet. Read the review.
Last night, the English National Opera premiered a new production of Wagner’s Tristan and Isolde Conducted by the ENO’s ex-music director Edward Gardner, designed by the artist Anish Kapoor and direction by Daniel Kramer – the company’s artistic director elect, the cast included Australian tenor Stuart Skelton as Tristan. Will it be the troubled ENO’s saving grace?…
BEST ORCHESTRAL PERFORMANCE Sibelius: Symphonies Nos. 1 & 4 Osmo Vänskä, conductor (Minnesota Orchestra)/ Label:BIS Records BEST OPERA RECORDING Adès: The Tempest Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna & Alan Oke; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)/ Label: Deutsche Grammophon BEST CHORAL PERFORMANCE…
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.