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Opera in 21st century Australia – the debate continues…..

The music fraternity comments on Lyndon Terracini’s Peggy Glanville-Hicks address: http://www.theaustralian.com.au/news/arts/director-slated-for-failing-to-cultivate-opera-audiences/story-fn9d2mxu-1226184016943 ….and Lyndon Terracini responds: http://www.theaustralian.com.au/national-affairs/opera-in-search-of-an-audience/story-fn9l8bny-1226186191515
Read More Opera in 21st century Australia – the debate continues…..

Opera in 21st century Australia – the 2011 Peggy Glanville-Hicks Address

Lyndon Terracini, Artistic Director of Opera Australia delivers the  2011 Peggy Glanville-Hicks address, and held each year by the New Music Network  to stimulate thought in creating and performing music in Australia.  This year’s topic was  Populism as Art and the Art of Populism.In his address, Terracini applies this statement to the future of opera…
Read More Opera in 21st century Australia – the 2011 Peggy Glanville-Hicks Address

Photos from The Australian Brandenburg Orchestra’s opening of ‘Glorious Baroque’ season.

Violinist Riccardo Minasi is soloist and Guest Director with the Australian Brandenburg Orchestra in its season of ‘Glorious Baroque’ which opened last weekend. Here are four photographs from the opening concerts. ‘Glorious Baroque’ continues on November 2nd, 4th and 5th. See also: http://soundslikesydney.com.au/shows/possum-goes-for-baroque-2/5310.html and  http://www.smh.com.au/entertainment/music/an-accomplished-pastiche-with-notes-of-a-fine-merlot-20111030-1mqan.html  
Read More Photos from The Australian Brandenburg Orchestra’s opening of ‘Glorious Baroque’ season.

Latest reviews

Arrebato fuses flameno, jazz and the world in their second CD “Absolucion”

The style is possibly as difficult to define as the English meaning of their name – “Arrebato”, variously translated as “fury”, “something that rises rapidly” or “a wave of emotion”.  It’s fair to say that any and all of these describe the music of this ensemble. Arrebato release their second CD “Absolucion” in June 2011….

New Alden production of “Dream” an abstraction of Britten’s life.

Once in a while in opera, a new production comes along that fits so perfectly with the narrative, history and legend, that you wonder why it took so long for the concept to be realized. Christopher Alden’s new production of Britten’s “Midsummer Night’s Dream” at the ENO, is one such offering. More “Scream” than “Dream”,…