In our recent Q and A with mezzo-soprano Catherine Carby, she talked about her upcoming roles as Romeo in I Capuleti e i Montecchi for the Chelsea Opera Group and as the Voice from Above in Richard Strauss’ Die Frau ohne Schatten for the Royal Opera, Covent Garden. Read the glowing reviews of her performances as Romeo in The Guardian and as the ‘Voice’ in Classical Source.
Some of the weekend’s stories and reviews of the Vienna Philharmonic Sydney concerts: Teddy Tahu Rhodes and David Hobson: http://www.theaustralian.com.au/news/arts/perfect-match/story-e6frg8n6-1226157899124 A look a Mozart’s The Magic Flute: http://www.theaustralian.com.au/news/arts/enigma-variations/story-e6frg8n6-1226157882835 The Vienna Philharmonic in Sydney: http://www.smh.com.au/entertainment/music/out-of-the-void-comes-music-of-the-universe-20111007-1ldhj.html http://www.smh.com.au/entertainment/music/homage-to-schubert-played-to-perfection-20111006-1lbk8.html
Page turners are a special breed of musician. Yes, they have the opportunity to observe a musician at very close hand. However, their role is perhaps a thankless one – destined to be the bridesmaid and never the bride, they are to be discreet and possessed of impeccable timing. They leave the stage unobtrusively as the…
Donizetti’s bel canto masterpiece Lucia di Lammermoor opens in Sydney this week. The Opera Australia production has Emma Matthews in the title role with American tenor James Valenti as Edgardo and Giorgio Caoduro as Enrico. These images give an idea of the power and drama of the opera and below them, the link to a feature about the…
Opera Australia’s innovative production of The Rabbits comes to Sydney, opening on January 14, 2016 and running till January 24, 2016 at the Roslyn Packer Theatre. Suitable for families and children aged 8+, the production has already had great success at the Perth Festival and during its Melbourne season earlier this year. It won four Helpmann…
Symphony orchestras the world over face an uncertain future. To what extent should they change in order that they survive? http://www.theaustralian.com.au/news/features/symphonies-learn-the-score/story-e6frg6z6-1226068483453
“….the entire issue of music education is becoming an ever bigger issue all over Europe. Apart from the obvious cultural value, employers want people who can work in teams, think laterally and not in straight lines, all of which music gives you in spades. A free music education was one of the glories of the…