Sydney Symphony Orchestra Appoints New Director Of Marketing
Image: Charles Buchanan, newly appointed Marketing Director for Sydney Symphony Orchestra. Photo by Katie Braithwaite
Image: Charles Buchanan, newly appointed Marketing Director for Sydney Symphony Orchestra. Photo by Katie Braithwaite
Whether you believe opera as an art form is moribund or thriving, opera companies the world over are examining its relevance to 21st century living and building strategies to attract and retain audiences into the future. In Sydney, Opera on Sydney Harbour exceeded expectations on many fronts; high definition opera in the cinema has brought…
The music of Philip Glass is premiered in the neart of NYC: http://www.nytimes.com/2012/06/23/arts/music/the-new-rule-at-make-music-new-york.html?_r=1&ref=music Satie’s Vexations is performed on Wall Street for 18 hours. http://www.nytimes.com/2012/06/23/arts/music/vexations-at-make-music-new-york.html?ref=music
“Mother says I was a dancer before I could walk She says I began to sing long before I could talk And I’ve often wondered, how did it all start? Who found out that nothing can capture a heart Like a melody can?” Thank you for the Music ABBA These lyrics by Benny Andersson and Björn Ulvaeus…
Christopher Lawrence, ABC ClassicFM broadcaster, author and arts administrator, has joined Sydney Youth Orchestras (SYO) as its Chief Artistic Advisor. Mr Lawrence said he was honoured to join the team alongside Alexander Briger AO, who now resides in Paris to better pursue his international conducting career. Mr Briger remains the orchestra’s Chief Conductor and will…
Wolfgang Amadeus Mozart had an older sister, Maria Anna Walburga Ignatia. Nicknamed “Nannerl”, she was 5 years older than him, and by all accounts, as talented a musician. How she came to be eclipsed by her younger brother is the topic of this latest cinematic release opening in Sydney this week. Was he just too precocious,…
Being a composer has never been an easy career. Judging from this feature in The Guardian, things are as difficult as they ever were for career composers.