The New Zealand Symphony Orchestra is safe from cuts
Gramophone magazine reports that the New Zealand Symphony Orchestra will not be axed with the nation’s Arts, Culture and Heritage Minister describing the move as ‘unthinkable’:
Gramophone magazine reports that the New Zealand Symphony Orchestra will not be axed with the nation’s Arts, Culture and Heritage Minister describing the move as ‘unthinkable’:
There are changes afoot in the Concert Hall of the Sydney Opera House, aimed at improving the acoustic. More at: http://www.theaustralian.com.au/arts/opinion/acoustic-alterations-at-the-opera-house-must-retain-the-architectural-harmony-of-the-hall/story-fn9n9z9n-1226420429346 What’s the obsession with expecting musicians to have the stamina of an athlete, the technique of the possessed and the looks of a deity? http://www.theaustralian.com.au/arts/review/making-beautiful-music/story-fn9n8gph-1226416992126 Review the Australian Chamber Orchestra’s current touring…
Innovative Icelandic composer, musician and producer Ólafur Arnalds has teamed up with Australia-born, LA-based singer, songwriter, and electronic producer RY X to create the ethereal, beat-driven vocal track ‘Oceans’, out on Mercury KX on January 31. Using a sample from Ólafur’s original composition ypsilon as the basis of the new track, RY X has written…
Max Richter’s VOICES 2, the second album in the cutting-edge audio-visual VOICES project, inspired by the Universal Declaration of Human Rights, is out now on Decca Records.
Lush with exotic melodies and rich harmonies, Karol Szymanowski’s opera King Roger takes you into the sub-conscious as you explore the mind of the king. Michael Honeyman sinds the title role in this Kasper Holten production presented by Opera Australia and opening tonight in the Joan Sutherland Theatre of the Sydney Opera House. Albanian tenor Saimir Pirgu…
The Nose Opera Australia Joan Sutherland Theatre, Sydney Opera House, February 22, 2018 Written by Deen Hamaker Even by the standards of contemporary 21st century opera, Dmitri Shostakovich’s Hoc, here performed in English translation as The Nose, is out there. Way way out there. Musically the piece is a heady mix of jarring styles from…
Deutsche Grammophon’s series of Mozart opera recordings continues with the 6th instalment, Die Zauberflöte, conducted by Yannick Nézet-Séguin and the Chamber Orchestra of Europe, available now. Initiated by and featuring Rolando Villazón, in collaboration with Festspielhaus Baden Baden, Die Zauberflöte follows very successful productions of Don Giovanni, Così fan tutte, Die Entführung aus dem Serail…