The Song Company’s ‘Sunken Dreams’ reviewed

Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald:

Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald:
Dido and Aeneas, Sasha Waltz and Guests, Vocal Consort Berlin, Akademie für Alte Musik Berlin, Sydney Festival, Lyric theatre, Pyrmont, Sydney; January 16th, 2014. The production of Dido and Aeneas by Sasha Waltz and Guests, presented by the Sydney Festival is an abstraction of the opera by Purcell. Movement and singing are equal partners in…
Die tote Stadt, opus 12 by Erich Wolfgang Korngold. Opera in 3 acts with to a libretto by Paul Schott (Julius and E. W. Korngold) after Georges Rodenbach’s novel Bruges la morte. Opera Australia, Sydney Opera House June 30th 2012 It is a fortuitous collision of talent to have an opera composed by a prolific writer of cinematic music, directed by an Oscar…
Superlative singing, sensitive staging and exquisite styling infused with the themes of Imperial China have made Turandot on Sydney Harbour arguably the most enjoyable of the productions to date. The co-production between Opera Australia and Handa Opera on Sydney Harbour (HOSH) opened in Sydney last week under crystal clear skies and temperate breezes. (The first…
Once in a while in opera, a new production comes along that fits so perfectly with the narrative, history and legend, that you wonder why it took so long for the concept to be realized. Christopher Alden’s new production of Britten’s “Midsummer Night’s Dream” at the ENO, is one such offering. More “Scream” than “Dream”,…
Deborah Humble in Recital, Glebe Town Hall, Glebe, Sydney November 11, 2016 Written by Deen Hamaker On a very warm spring evening in Glebe we were given an absolute treat of a recital. It is such a joy to be able to hear a magnificent operatic voice in an intimate space and this was indeed…
First, there was birdsong. Then, as humans began to generate music, birdsong became a source of thematic material from as early as Janequin’s four-part chanson Le chant des oiseaux (c1559). As music evolved, composers described birds in music and replicated their sounds; birds have been an inspiration in madrigals and folk songs and in the…