Acacia Quartet Performs Kats-Chernin’s Blue Silence In Concert

utzon room

Acacia Quartet presents Blue Silence, the complete string works of Elena Kats-Chernin, at the Utzon Room of the Sydney Opera House. The concert marks Acacia’s debut of their new series at the Sydney Opera House which will continue on July 30 and Nov 9.

Elena Kats-Chernin herself will be presenting this concert, both as the featured composer and as Acacia’s Musical Patron. Acacia have a special relationship with Kats-Chernin having premiered much of her joyful and energetic music. The performance features the whole album of the same name, recorded in 2013.

Mixed-media portrait of Elena Kats-Chernin by violinist and illustrator Lisa Stewart. The collage includes Elena's original manuscript music ripped up to create her hair. Image supplied.
Mixed-media portrait of Elena Kats-Chernin by violinist and illustrator Lisa Stewart. The collage includes Elena’s original manuscript music ripped up to create her hair. Image supplied.

In 2011, Elena Kats-Chernin heard Acacia Quartet – violinists Lisa Stewart and Myee Clohessy, violist Stefan Duwe and cellist Anna Martin-Scrase – perform her music and asked if they would record her entire works for string quartet. After extensive rehearsals under her supervision, Acacia recorded over 90 minutes of her music on a double CD for Vexation840. The resulting album Blue Silence earned them a nomination for an APRA Arts Music Award for Excellence, 4½ stars and ‘Editor’s Choice’ in Limelight magazine, as well as ABC National Radio’s ‘CD of the Week’.  Kats-Chernin’s music combines light-heartedness with melancholy and blends elements of tango, ragtime, cabaret, klezmer and Bach.

Read our interview with Elena Kats-Chernin The Colours of the String Quartet in which she talks about the writing and the making of Blue Silence.

“Dance forms and colours abound in the tracks on Blue Silence … the tango, waltz and Charleston … and there is colour! Blue, pink, silver, burnished silver and black.” – SoundsLikeSydney

Tickets: $30 – $75

Online: sydneyoperahouse.com (search Acacia Quartet) or  call the Box Office on (02) 9250 7777

 

 

 

Similar Posts

  • Fairy Tales from The Seraphim Trio

    In their final concert for 2014, The Seraphim Trio presents an enchanting programme of fantasy, fairy tales, words and music. In the programme are Dvorak’s dramatic Piano Trio No. 3 alongside the delightful Fairy Tale by Janacek. The trio will premiere a new arrangement of Ravel’s Ma mere l’oye, (Mother Goose) by Melbourne composer Benjamin Martin interspersed with Peter Goldsworthy’s witty…

  • Smiles And Crabb In Concert

    Trinity Grammar School’s Society of the Arts proudly presents an evening of music-making with classical accordionist James Crabb. James will be joined for this concert by Australia Ensemble cellist Julian Smiles, in a programme of solo and chamber music including Piazzolla’s Tres Tangos, Sofia Gubaidulina’s De Profundis and JS Bach’s Sonata no. 3 in G Minor,…

  • Seraphim Trio Plays Schubert

      As part of their year-long immersion in Schubert, the Seraphim Trio will perform a two concert series of recitals of Schubert’s music devised around his entire chamber works for piano trio. The Series 1 concert The Wanderer, features two of Schubert’s trios while the Series 2 concert Schubertiade features 4 works including the Notturno…

  • Woollahra Philharmonic Orchestra Welcomes Spring

    There’s spring in the air and virtuoso star turns aplenty when the Woollahra Philharmonic Orchestra returns with a spectacular program directed by Lee Bracegirdle. The WPO’s Height of Spring is a spectacular program that presents Schumann’s seasonally appropriate First Symphony, nicknamed The Spring Symphony and pairs it with Stravinsky’s Eight Instrumental Miniatures for 15 Players –…

  • Operantics Presents La Sonnambula

    Operantics Sydney’s youngest opera company presents Bellini’s bel canto masterpiece, La Sonnambula (The Sleepwalker), following their recent successful presentations of Cosi fan Tutte, Mansfield Park, Gentleman’s Island and The Telephone. La Sonnambula started life in Paris in 1827 as a ballet, at the height of a fashion for stage works incorporating somnambulism. Its first operatic performance took…

Leave a Reply