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Lise Davidsen and Leif Ove Andsnes Release New Album Of Grieg Songs
Lise Davidsen and Leif Ove Andsnes, the two prodigiously gifted Norwegian artists who have risen to the top of the classical music world, have collaborated for the first time on a new album of Edvard Grieg songs now released on Decca Classics.
David Robertson to lead the Sydney Symphony from 2014
There is tremendous excitement at the announcement by the Sydney Symphony that American conductor David Robertson will be its Chief Conductor and Artistic Director from 2014 succeeding the much loved Vladimir Ashkenazy. David Robertson has a string of impressive orchestral appointments to his name having been Music Director of the St. Louis Symphony since 2005…
Triple Opera Debut For Thrilling Melbourne Baritone
Melbourne baritone Kiran Rajasingam will reach three exciting milestones when he sings the role of Prince Yamadori in Opera Australia’s production of Madama Butterfly which opens at the Sydney Opera House in June. It is his debut in Sydney, his debut at the Sydney Opera House and as a principal with the company.
More On Selby&Friends At Home
Selby&Friends are delighted to announce that Beethoven’s Triple Concerto is now available on the Selby&Friends YouTube channel Selby&Friends at Home. Pianist and founding artistic director, Kathryn Selby says “A few years ago I presented a program entitled ‘By Arrangement’ which featured Beethoven’s Triple Concerto in an extraordinary arrangement for piano trio by Carl Reinecke with…
Paul Lowin Prizes 2016 – The Shortlist
Six new Australian compositions have been announced as finalists for the 2016 Paul Lowin Prizes. Shortlisted for the Orchestral Prize of $25,000 are James Ledger for Golden years, a 2013 composition for violin and orchestra, Cathy Milliken’s Earth Plays, written in 2015 for mezzo-soprano and orchestra and Lachlan Skipworth for his Concerto for clarinet and orchestra written in 2014. Shortlisted…
Madness And The Musician
“The truth is that there is no more a link between star sign and intelligence than there is between madness and creativity. That a link has been drawn between the two is, however, under–standable. How else can we explain the outrageous creative power of a Mozart or a Beethoven without resorting to some kind of brain chemistry imbalance? If…
