Angela Hewitt reviewed

Peter McCallum reviews Angela Hewitt’s recital for the Sydney Morning Herald:

Peter McCallum reviews Angela Hewitt’s recital for the Sydney Morning Herald:
The Australian Brandenburg Orchestra’s Vivaldi Unwired programme, directed by Paul Dyer, AO opened at the City Recital Hall last night with guest artists violinist Brendan Joyce and saxophonist Christina Leonard. It was an entertaining evening of convention and innovation. Opening the concert with two cornerstones of the Baroque repertoire played in conventional style on period…
Carmen G Bizet, libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novel (1845). Opera Australia, Joan Sutherland Theatre, Sydney Opera House, February 3rd, 2014. According to operabase.com Bizet’s Carmen ( 1873 – 4) was the second most frequently performed opera, during the worldwide 2013-14 season, with 477 performances, coming second to La traviata (577 performances). Opera…
Costello and Krall, Barenboim and du Pre, Sutherland and Bonyge, Laine and Dankworth – all partners on stage and in life, sharing a performing life and a musical genre. Joe Chindamo and Zoe Black share all this as well, except for the fact that they hail from different music backgrounds. Whilst Black is classically trained,…
Thomas Tallis’ England Maximilian Riebl, counter-tenor Australian Brandenburg Orchestra and Choir City Recital Hall, Sydney February 21, 2018 The opening night of the Australian Brandenburg Orchestra’s 2018 season, Thomas Tallis’ England was an evening of exceptional performances and astute programming of music that told the tale with the added crafting of keys which moved seamlessly…
Bass Instincts Alicia Crossley Move Records Not a great deal is heard of the bass recorder. It is the hidden family member, the lowest voice in the woodwind recorder consort; the serious, elder statesman, providing the unobtrusive but rock-solid foundation, while the descant recorder grabs the spotlight with its more brilliant and nimble sound. The…
Handel Messiah/Marc Minkowksi/Deutsches Grammophon Virtuoso. Nearly three centuries after Handel’s Messiah was first performed in 1742, and nearly a century after its first recordings in the 1920s, Deutsche Grammophon has re-released a 2001 Archiv recording conducted by Marc Minkowski on its Virtuoso label (Catalogue Number 478 6175). Virtuoso promises quality performances at an affordable price….