Calming The ‘Ca-cough-ony’
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
Ralph Myers, Artistic Director of the Belvoir Street Theatre delivers the annual Philip Parsons Memorial lecture in which he warns against the increasing corporitasion of the arts and its potential to damage the national cultural landscape. Click here to read.
Omega Ensemble has a new release on ABC Classics, featuring an all Mozart programme recorded in concert at Sydney’s City Recital Hall. The ensemble is conducted by Paul Meyer, clarinet with bassoonist Ben Hoadley, performing Mozart’s classic Symphony No. 40 with his Clarinet and Bassoon Concertos. The tracks: Mozart: Clarinet Concerto in A Major, K. 622/ Mozart: Bassoon Concerto in…
Applications are now open for Ensemble Offspring’s 2017 Hatched Academy, an intensive music program aimed at providing practical experience to emerging innovative young Australian performers and composers. Ensemble Offspring is looking for composers and performers under 30 with a passion for the ‘sonic weird and wonderful’. Designed to provide practical experience, the Academy will equip artists…
‘Art for art’s sake’ is becoming an increasingly remote concept in 21st century Australia as performing arts bodies are expected to function according to business models and boost their bottom line from private sources. Are these expectations realistic – and who evaluates the bodies that make the funding decisions? The Australia Council for the Arts which…
The influence of Peter Sculthorpe on Australian music in the 20th and 21st centuries is beyond measure. The Goldner Quartet aims to document at least some of the essence of this great life and great talent in a new documentary. http://www.smh.com.au/entertainment/music/four-score-and-19-political-quartets-later-20120424-1xj20.html
The lights of Broadway will dim at 8 pm on Wednesday August 8th, in honour of composer Marvin Hamlisch (A Chorus Line, the score for The Sting adapted from the rags of Scott Joplin) who died on Monday aged 68. He was accepted into the Juillard School at the age of 7 and won a Pulitzer…