Latest news
Lisa Gasteen and Eric Whitacre interviews:
Lisa Gasteen makes a welcome return to the stage during the Brisbane Festival in August. She talks to Matthew Westwood of The Australian: http://www.theaustralian.com.au/arts/review/opera-star-lisa-gasteen-sets-her-own-tempo/story-fn9n8gph-1226403160732 …… and Eric Whitacre talks to Bridget Cormack: http://www.theaustralian.com.au/arts/music/master-of-the-ethereal-choristers/story-fn9d2mxu-1226404727785
Simone Young interviews
Simone Young returns to Australia at the end of July to conduct the Australian Youth Orchestra in Brisbane. In this interview with the Sydney Morning Herald she talks about her tenure in Hamburg and her plans for the future: http://www.smh.com.au/entertainment/music/funding-means-its-a-long-way-between-sydney-and-hamburg-20120622-20t5k.html http://www.smh.com.au/entertainment/music/climbing-every-mountain-with-a-bit-of-metal-20120622-20t5h.html
The Melbourne Symphony Orchestra announces its Chief Conductor
The Melbourne Symphony Orchestra has announced that English conductor, organist and harpsichordist Sir Andrew Davis has been appointed to the position of Chief Conductor and Artistic Director from January 2013. Sydney audiences can take in a preview of this artistic collaboration when the MSO performs at the Sydney Opera House with its Chief Conductor elect at the end…
If it’s contemporary can it be classical?
Is the term ‘contemporary classical music’ a contradiction in terms? Tom Service of The Guardian dispels some myths: http://www.guardian.co.uk/music/2012/apr/26/five-myths-contemporary-classical-music?intcmp=239
In Bach’s own hand.
The first manuscript in Bach’s own hand to enter the public market in 16 years, was sold in London last week, one hundred and eigty three years after it was written: http://www.gramophone.co.uk/classical-music-news/bach-cantata-manuscript-sells-for-%C2%A3337250-at-christies-in-london
A quartet of six
It’s a dream combination. A composer in the mainstream of her creativity handpicks a string quartet to make the premiere recording of her music and then coaches them in the way she wants to the music to sound. Add to this, a recording producer who understands implicitly what the composer wants and who has the formidable reputation as…
Latest reviews
Selby and Friends review
Harriet Cunningham reviews “Friends and Admirers” from Selby and Friends: http://www.smh.com.au/entertainment/music/a-hearty-feast-for-all-friends-and-admirers-20120510-1yfct.html
SSO’s choral contrasts reviewed
David Vance reviews the SSO conducted by David Zinman: http://www.smh.com.au/entertainment/music/voices-carry-as-conductor-and-choir-shine-in-mozart-20120503-1y1kx.html