Tafelmusik reviewed….

Peter McCallum reviews Tafelmusik for the Sydney Morning Herald. Tafelmusik repeat their concert at the City Recital Hall on Saturday March 10th at 2 pm.

Peter McCallum reviews Tafelmusik for the Sydney Morning Herald. Tafelmusik repeat their concert at the City Recital Hall on Saturday March 10th at 2 pm.
Sydney Chamber Choir, Jonathan Grieves- Smith guest conductor Dixit Dominus City Recital Hall, May 28, 2016 The two giants of the Baroque faced off against each other, straddling two smaller contemporary works, when the Sydney Chamber Choir performed with guest conductor, Jonathan Grieves-Smith and the Orchestra of the Antipodes, led by Matt Bruce. It was…
Beethoven’s Seventh – Omega Ensemble Lisa Osmialowski (flute), Alex Fontaine (oboe), Matthew Bubb (oboe), David Rowden (clarinet), John Lewis (clarinet), Ben Hoadley (bassoon), Simone Walters (bassoon), Melissa Woodroffe (contra bassoon), Michael Dixon (horn), Phil Wilson (horn), Ike See (violin), James Eccles (viola), Paul Stender (cello), Alex Henery (double bass), Timothy Brigden (timpani) 11 July 2016,…
Music of the Commonwealth is creating new works which entertain and broaden the depth and breadth of technique and repertoire for saxophone and piano.
Harriet Cunningham reviews the ACO’s Trout Quintet/Quartet for the End of Time concert: http://www.smh.com.au/entertainment/music/urgent-intense-and-inspirational-20120715-223zx.html
The highly anticipated production of La Traviata staged on Sydney harbour opened on Saturday night. This production has polarised opera lovers. Without doubt the performances are superlative and the concept of an open-air opera with the spectacle of Sydney harbour as a backdrop is irresistible. As to whether it is ‘opera’ – the verdicts on that proposition are rolling in. As pure entertainment…
orchestra seventeen88 An Evening with the Viennese Titans New Hall, Sydney Grammar School, Darlinghurst 22 November 2014 orchestra seventeen88 is continuing to establish itself as a welcome addition to Sydney’s musical life. Its aim is to present music from the late eighteenth and early nineteenth centuries using historically informed practice and playing on instruments…