Honour for Harnoncourt
Nikolaus Harnoncourt, now 84 and retired from conducting has been made an Honorary Member of the Berliner Philharmoniker.
Nikolaus Harnoncourt, now 84 and retired from conducting has been made an Honorary Member of the Berliner Philharmoniker.
Soprano Siobhan Stagg, Australian-born and based in Europe, has the world at her feet. Her career, like her exquisite voice, has soared, taking her to the opera houses and concert stages of Europe and the UK, with engagements across the Atlantic and numerous returns to sing around Australia. She performs in Romeo Castellucci’s controversial but…
Following the ENO’s announcement of a plan to encourage a relaxed dress code for opera goers, Andrew Mellor argues that it’s ‘much ado about nothing’. After all, going to the races seems to demand the observation of a costly and mysterious dress code that doesn’t deter attendance. http://www.gramophone.co.uk/blog/the-gramophone-blog/stop-telling-us-what-to-wear-for-opera
Musical dynasties have made their mark in music from the days of the Scarlattis and the Bachs, through to the Shankars and the Lennons. Pianist and conductor Daniel Barenboim’s 26 year old violinist son Michael, has for 9 years, been the leader of the West-Eastern Divan Orchestra, (WEDO) created by Barenboim senior as an act of middle eastern reconciliation. The WEDO…
Checkout the ‘look’ of the Royal Opera’s production of Bellini’s Norma, opening in Palace Cinemas in Sydney this weekend. Crafted by La Fura dels Baus it is conducted by Sir Antonio Pappano with Sonya Goncheva in the title role and Jospeh Calleja as Pollione. Photo credits Bill Cooper. Images supplied.
Congratulations to the thirty one aspiring singers who qualified for the quarter finals of the Sydney Eisteddfod Opera Scholarship held in May. They will perform for adjudicators this weekend, on June 10 in the hope of getting a step closer to securing their part of the of $58,500 scholarship on offer to take the next…
The orchestra pit of the Opera Theatre in the Sydney Opera House wasn’t big enough to accommodate the 86 orchestral musicians required for Opera Australia’s present production of Korngold’s “Die tote Stadt”. Answer: take them off-site and link them to the theatre with video and acoustic technology. Matthew Westwood of The Australian has the full story: http://www.theaustralian.com.au/arts/music/pits-not-up-to-it-so-piped-musics-the-go/story-fn9d2mxu-1226409545488