Norrington On Beethoven’s Symphony No 1
Sir Roger Norrington takes a look at Beethoven’s Symphony No 1 for Gramophone Magazine.
Click here to read.
Sir Roger Norrington takes a look at Beethoven’s Symphony No 1 for Gramophone Magazine.
Click here to read.
After a global search, Opera Australia has called back one of its own to assume the role of CEO of the flagship company after long-serving CEO, Adrian Collette AM, left at the end of 2012. Late last week, Opera Australia Chairman Ziggy Switkowski, announced the appointment of Craig Hassall as Collette’s successor. He said that Hassall…
It is a dilemma that faces any musician curating a programme for a concert or a recording – what to programme with a work that is so iconic that there is a risk of eclipsing whatever else is presented with it? The Cello Concerto in E minor opus 85, by Sir Edward Elgar (1857-1934) is…
Murray Black of “The Australian” reviews Anne Sofie von Otter’s Sydney concerts: http://www.theaustralian.com.au/news/arts/mezzosopranos-double-bill-of-delights/story-fn9d2mxu-1226188092405
“….perhaps a conscious effort to introduce some of the younger, edgier classical musicians, including some of colour, into music coverage aimed at their younger demographic – many of whom can’t even conceive of classical music as music – might serve to break down some of these increasingly arbitrary walls. “ A fascinating read from Candace…
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Wednesday August 22nd 2012 is the sesquicentenary of the birth of Claude Debussy. Whilst the music world plans for the anniversaries next year for Britten, Verdi and Wagner, the acknowledgement of Debussy’s 150th birth anniversary has been distinctly underwhelming. Anthony Tommasini of the New York Times investigates: http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music