Gramophone 2014 Recording Of The Year
Tomorrow, September 17, Gramophone Magazine announces its 2014 Recording of the Year as picked by its panel of critics from the 12 category winners.
Click here to check out the category winners and read more.
Tomorrow, September 17, Gramophone Magazine announces its 2014 Recording of the Year as picked by its panel of critics from the 12 category winners.
Click here to check out the category winners and read more.
Exactly a year ago, mezzo-soprano Margaret Plummer packed up her family, said ‘goodbye’ to friends and relocated to Vienna to follow her dream. A familiar face – and voice – on the Sydney opera stage, she had been awarded the Vienna State Opera Award from Opera Foundation Australia and opportunity beckoned. A graduate of the Sydney…
Congratulations to all the nominees for the 2013 Helpmann Awards! Now in its 13th year, there were 822 entries across 41 categories received. NSW Minister for Tourism and Major Events, George Souris, said “The Helpmanns are the premier awards event for the live performance industry. Our investment in the 2013 Helpmann Awards and the staging…
Australian composer Nicholas Vines has received a ringing endorsement by no less a journal than The New York Times, for his composition for clarinet and piano, Rustling the Deities. Performed by the “superb new-music ensemble counter)induction” (Allan Kozinn in The New York Times), this review happily supports the release last week of the debut recording of Vines’ music Torrid…
Cellist Rachel Scott is presenting her series ‘Bach in the Dark’ again in 2012. In these unusual concerts she invites her audience to the crypt of St James’ Church in King Street Sydney for programmes of music that are founded in the compositions of the great JS Bach, but which she then takes to another…
Fantastic news from Dmitri Hvorostovsky’s website that following treatment for a brain tumour, the gifted and popular baritone is looking forward to returning to the stage this month for three performances of Verdi’s Il Trovatore at the Metropolitan Opera, opening the production on September 25 with further performances on September 29 and October 3, 2015. In December 2015/January 2016 Hvorostovsky…
Peter Phillips, founder and director of the Tallis Scholars is a regular columnist for The Spectator. He recently posed the question whether creative genius is compatible with ‘niceness’ as a person and warns that even a conductor’s time on the podium is transient. Click here for the link.