Will Tristan And Isolde Save The ENO?
Last night, the English National Opera premiered a new production of Wagner’s Tristan and Isolde
Last night, the English National Opera premiered a new production of Wagner’s Tristan and Isolde
Conducted by the ENO’s ex-music director Edward Gardner, designed by the artist Anish Kapoor and direction by Daniel Kramer – the company’s artistic director elect, the cast included Australian tenor Stuart Skelton as Tristan.
Will it be the troubled ENO’s saving grace?
Click here to read more in The Independent.
Composer Paul Stanhope made his mark on the 2011 APRA Art Music Awards announced last night. His compositions won Work of the Year in both Instrumental (String Quartet No 2) and Vocal/Choral categories. (Deserts of Exile). Sydney audiences were mesmerised by “Deserts of Exile” when the Sydney Chamber Choir performed it in their “Lamentations” programme a few…
The Sydney Festival is hiring an elite German orchestra to perform at the 2014 Sydney Festival, because believe it or not, it is more cost effective than employing an Australian ensemble. Substantial government subsidies are the reason behind this curious situation. Click here to read the feature in The Age.
So Silvio Berlusconi has finally stepped down. Recently, Alex Ross wrote about the indifference of the Berlusconi government to supporting the arts in Italy. (1) Ross also makes reference to the unprecedented action by Riccardo Muti, conducting Nabucco halted the performance and spoke to the audience about the situation. The response from both the chorus and the…
The Musician Project Conductor Max McBride Schubert Incidental Music to Rosamunde D 997 and Brahms’ Symphony No 1 in C minor, Opus 68 Verbrugghen Hall, Sydney Conservatorium of Music, November 15, 2015 There was an abundance of talent on display when a selection of students from the Sydney Conservatorium of Music joined by more experienced…
Another ‘Movember’ has come and nearly gone with thousands of men nursing luxuriant and not- so- luxuriant hirsute additions to their profiles. Had they been alive, no doubt some composers would have scored handsomely in the Movember stakes —
Some years ago I attended a concert at the Vienna Konzerthaus. Sopranos Montserrat Caballe and her Callas look-alike daughter Monserrat Marti gave a superb rendition of solos and duets for female voices. The hall was packed; the audience brought them out – and they graciously obliged – for three encores. On the premise that one good…