Will Tristan And Isolde Save The ENO?

‘Art for art’s sake’ is becoming an increasingly remote concept in 21st century Australia as performing arts bodies are expected to function according to business models and boost their bottom line from private sources. Are these expectations realistic – and who evaluates the bodies that make the funding decisions? The Australia Council for the Arts which…

Declared “a resounding triumph”, George Palmer’s new operatic adaptation of Tim Winton’s novel Cloudstreet, produced by the State Opera of South Australia, had the audience rising to its feet. Read the review.  

The Sydney Festival is hiring an elite German orchestra to perform at the 2014 Sydney Festival, because believe it or not, it is more cost effective than employing an Australian ensemble. Substantial government subsidies are the reason behind this curious situation. Click here to read the feature in The Age.  

“…Whilst metadata and audio quality have been the burning issues for classical journalists and listeners, it’s the economics of streaming that has been alarming certain independent specialist classical record companies. In fact, as far as they are concerned, streaming poses unique and far greater problems for the classical industry than it does for the pop…