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Paul Stanhope: A Decade At The Helm Of The Sydney Chamber Choir
On the eve of his departure as Musical Director of the Sydney Chamber Choir, Paul Stanhope confesses that his initial efforts at programming were akin to ‘bolting out of the starting blocks’, curating an adventurous concert which he recalls attracted only a small audience. A decade on, talking to SoundsLikeSydney, he says he has learnt…
Double passes on offer for the NCPA orchestral concert
There are double passes on offer for the concert by the orchestra of the National Performing Arts Centre from Beijng in China. This is a very young orchestra which was established just this year, and is already undertaking international tours. The concert is on Tuesday 6th November 2012 at 8 pm at the Sydney Opera House. If you’d like…
Q And A With Amy Dickson – A New CD And Concerts In Sydney
For Sydney-born saxophonist Amy Dickson, 2016 is shaping up to be a busy year. March sees the release of a CD Introit: The Music of Gerald Finzi which features her as a soloist; in July she returns to Sydney from her London base to perform at the Sydney Opera House with the Sydney Symphony Orchestra…
The Opera And Song Collective Launches 2024 Season
The Opera and Song Collective (TOSC) presented an appealing program of sacred vocal music curated by mezzo-soprano Jill Sullivan, under the musical direction of Simon Kenway with Jassen Rose at the pipe organ.
May Newsletter Out Next Week – Are You On Our Mailing List?
The May edition of SoundsClassic, our complementary monthly newsletter featuring the best of SoundsLikeSydney and of Classic Melbourne is out next week. Make sure you’re on our mailing list by subscribing from the top of our home page or our Facebook page. We’d love to hear your thoughts and we’d love you to tell your friends…
Madeleine Easton To Play At Coronation
Australian violin virtuoso and founder of the Bach Akademie Australia, Madeleine Easton is to play at the Coronation of King Charles III with the English Baroque Soloists and Monteverdi Choir under the direction of Sir John Eliot Gardiner, her long-time mentor and patron.

