…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Modern day troubadour, countertenor David Yardley launched his latest album, The Lost Codex of Avalon Vol II in a weekend concert with The Sydney Chamber Choir and soloists from The Song Company.
“Baroque Duets” a new CD release, has a lot to say for itself. First and foremost, it is a superb compilation of Baroque vocal music, eminently listenable but away from the beaten track; it is also a historically informed and technically well executed performance by singers and instrumentalists on period instruments; it even contains a…
Eugene Onegin, Opera in three acts by Pyotr Ilych Tchaikovsky libretto by Konstantin Shilovksy and Tchaikovsky, after the novel by Alexander Pushkin Joan Sutherland Theatre, Sydney Opera House, Opera Australia, February 28th 2014. Opera Australia unveiled Kasper Holten’s production of Tchaikovsky’s Eugene Onegin at the Sydney Opera House last week. It is the first…
Sydney benefits from groups that take risks and allow performers and audiences alike to broaden their knowledge and experience.
Great Australian Wagnerians in Recital Deborah Humble Verbrugghen Hall, Sydney Conservatorium 28 May 2014 Last year’s performances of Wagner’s Ring der Nibelungen in Melbourne reignited interest in Wagner’s music and the singers who perform it. One of the outcomes of this revived attention is a new series of concerts entitled Great Australian Wagnerians in…
When I spoke to Benjamin Grosvenor in 2012 during a brief visit to Sydney to launch his album Rhapsody in Blue, the young British pianist commented that although his repertoire embraced composers from JS Bach through Chopin and Scriabin, to Saint-Saëns, Ravel and Gershwin, the Romantics have been his first love. His favourite composer at the time…