…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Smoke, Glass and Mirrors; Musical Subterfuge Musical Luminati Series hosted by Twilight Musical Dialogues 3 August 2018 Adamstown Uniting Church, Newcastle Written by Joseph Asquith Smoke, Glass and Mirrors; Musical Subterfuge was the third instalment of the 2018 ‘Musical Luminati’ Series, hosted by Twilight Musical Dialogues and opened the Newcastle Music Festival. The theme of…
The Company We Keep, Acacia Quartet, The Australian Hall, Sydney November 6, 2014 Stepping away from the peak hour bustle on Sydney’s Elizabeth Street, the hidden gem that is the Australian Hall hosted the Acacia Quartet’s programme The Company We Keep, featuring music by Gershwin, Glass, Kreisler and Brisbane born, Hollywood based composer Joe Twist….
Acis and Galatea/ Ensemble Polyphème Paddington Uniting Church 10 November 2019 Written by Alex Siegers Ensemble Polyphème is Sydney’s newest “historically informed” performance ensemble” founded by harpsichordist Nathan Cox and tenor Nathan Bryon. For its inaugural season the ensemble presented Acis and Galatea, (HWV 49), a musical work by George Frideric Handel with an English text…
Renee Fleming’s new CD Poèmes celebrates Gallic vocal music from Ravel’s Orientalist infused Shéhérazade, written at the turn of the last century and Messiaen’s Poèmes pour Mi, to Deux Sonnets de Jean Cassou and a world premiere recording of Le Temps l’horloge by living composer Henri Dutilleux. The celebrated singer comments: ” For the sheer sensual joy of singing, no language gives…
Playing a Fazioli concert grand-piano, Tsang impressed with his technical wizardry and versatility through Baroque, Classical, Romantic and Impressionist repertoire.
Haydn, Mozart and Friends/ Australian Brandenburg Orchestra City Recital Hall, 13 September, 2017 In a programme anchored by two brilliantly performed favourites of the classical canon, it was as much the left-of-field inclusions that had the audience captivated, when the Australian Brandenburg Orchestra directed from the fortepiano by Paul Dyer AO, presented Haydn, Mozart and…