…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
The Australian Haydn Ensemble’s digital performance Sacro Amor is 75 minutes of pure pleasure at any time, but especially so in lockdown.
Król Roger (King Roger) – Karol Szymanowski Opera Australia, Joan Sutherland Opera Theatre, Sydney Opera House 20 January 2017 Opera Australia’s second new production in the 2017 summer season is Król Roger (King Roger) by the early 20th century Polish composer Karol Szymanowski. The work is rarely performed outside Poland and this co-production with…
Musica Viva Sessions, The National Herbarium of NSW The Royal Botanic Garden Sydney 29 June 2017 Written by Deen Hamaker Musica Viva’s Sessions series is a bold initiative which aims to attract new audiences and re- invigorate the way classical music is heard and where it is performed. The prospect of an unusual combination of…
The individual singing and excellence of ensemble took us majestically to somewhere magical, transcending both time and place.
The Marais Project: Jennifer Eriksson (director and viola da gamba), Belinda Montgomery (soprano), Tommie Andersson (lutes) Elysian Fields: Matt Keegan (saxophones), Matt McMahon (piano), Jennifer Eriksson (electric viola da gamba), Siebe Pogson (bass), Finn Ryan (percussion) 29 January, The Independent Theatre, North Sydney Jennifer Eriksson continually seeks to provide new perspectives on old music…
The national youth choir Gondwana Chorale, conducted by Paul Holley and Carl Crossin, has released its debut recording SOAR. Featuring 16 tracks, both sacred and secular, most works are by living Antipodean composers. This repertoire is the hallmark of the ensemble, established in 2008, which has drawn its singers from around the nation. Contrasting with the…