…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Last week Stuart Skelton sang the title role of Peter Grimes in a concert version of Britten’ eponymous opera at the BBC Proms in London. Tim Ashley of TheGuardian describes the production as “overwhelming …sung, acted and played with uncompromising veracity and commitment”. Sydney audiences would be familiar with Skelton’s electrifying performance as Grimes when he sang the role for…
Australia Quartet Transfigured Night, Thursday 31 October, Utzon Room Sydney Opera House. Programme: Kats-Chernin E: Scherzino (2013) World Premiere. Schoenberg A: Verklärte Nacht (Transfigured Night) arr. Barton Staggs, Schumann R: Piano Quartet in E flat major, op.47. In a well balanced programme of old elements and new, the Australia Quartet’s offerings proceeded in reverse…
The Nixon Tapes – Scenes from Nixon in China Sydney Opera House/ Opera Australia/ Vivid Live Concert Hall, Sydney Opera House June 5, 2017 When the Sydney Opera House, Vivid and Opera Australia presented The Nixon Tapes – Scenes from Nixon in China, the opera by John Adams, it was immediately evident that this was…
Il Viaggio a Reims Opera Australia Joan Sutherland Theatre, Sydney Opera House, October 24th, 2019 Written by Victoria Watson The father of 19th century bel canto Gioachino Rossini wrote Il Viaggio a Reims specifically to coincide with and celebrate the 1825 coronation of the previously exiled King Charles X at Reims in rural France. The libretto…
Symbiosis I, Jane Sheldon,soprano/ Jason Noble, clarinet/James Wannan, viola, 107 Projects,107 Redfern St, Redfern. Friday 18th July, 2014. Redfern’s 107 Projects was host to an enjoyable chamber music concert, the first in a traveling series called Symbioses by New-York based Australian soprano Jane Sheldon. The series launch also featured two local guest instrumentalists, clarinetist…
Descending the spiral staircases into the darkened subterranean caverns of the Museum of Old and New Art (MONA), was like entering the recesses of the subconscious. The museum was about to host the inaugural coming together of a collision of sensory experiences in the form of Synaesthesia: Music of Colour and Mind, a festival that…