SSO’s choral contrasts reviewed
David Vance reviews the SSO conducted by David Zinman:
Similar Posts
CD Review: ‘Pavarotti – The 50 Greatest Tracks’ reflects a life in song
Pavarotti The 50 Greatest Tracks is a new release from Decca commemorating two half century anniversaries. The first is his international debut in 1963 as Edgardo in Lucia di Lammermoor in Amsterdam, followed later that year by his Covent Garden debut as Rodolfo in La Boheme, replacing the indisposed Giuseppe di Stefano – the serendipitous call to…
I Musici review
Sydney turned on its glorious best last Sunday for I Musici’s Italian Summer presentation in the Royal Botanic Gardens: http://www.smh.com.au/entertainment/music/inventive-renditions-cast-spell-despite-intrusions-20120227-1tyv0.html
Album Review: Something Like This/ Avie Records/Walker/ Granger
Flautist Sally Walker and harpist Emily Granger release their new album, Something Like This in November, on the UK-based independent classical music label Avie Records.
Concert Review: Vestige – A Hidden Curiosity/ Kammerklang
“…an accomplished and enlightening performance of contemporary Australian art song that espouses both traditional and cutting- edge soundscapes.”
Album Review: Mr De Machy Pieces de Violle/ Ng
Ng plies a highly specialised craft, creating the illusion of a small ensemble from a single instrument. He draws on the features of the era, playing the melodic lines as well as enriching the texture with double and triple stops, weaving ornamentation and arpeggiated chords.
Opera Review: Salome/Opera Australia
Salome – Richard Strauss Opera Australia Joan Sutherland Theatre, Sydney Opera House 6 March 2019 If Richard Strauss’ Salome were a movie, it may well display an X rating. Incest, necrophilia, lust, decapitation and suicide are all notorious elements in this, the third of Strauss’ operas and the one which made his name. Opera Australia’s…
