SSO’s choral contrasts reviewed
David Vance reviews the SSO conducted by David Zinman:
Similar Posts
Concert Review: Baroque To Broadway/ Yvonne Kenny/Choir Of St James’
Baroque to Broadway Yvonne Kenny and the Choir of St James’ King Street directed by Warren Trevelyan-Jones St James’ King Street September 10, 2015 It was a marvellous opportunity to hear soprano Yvonne Kenny in the intimate sanctuary of St James’ King Street, when she joined its choir to perform music from Baroque to Broadway….
Review: ‘Siegfried’ Opera Australia
Opera Australia: Der Ring des Nibelungen: Siegfried Arts Centre Melbourne/22 November 2013 ***** Brünnhilde’s final outpouring to Siegfried at the end of the second day of Wagner’s music drama begins: ‘O kindischer Held! O herrlischer Knabe! Du hehrster Taten töriger Hort!’ The terms ‘childish’, ‘boy’ and ‘foolish’ are among several along these lines that may…
‘The Lighthouse’ reviewed
Sydney Chamber Opera recently presented a superb production of The Lighthouse by Sir Peter Maxwell-Davies, highy commended by those who saw it. Peter McCallum reviews it for the Sydney Morning Herald: Click here to read.
‘Les Troyens’ Met Opera in HD reviewed
As part of their hugely popular Met Opera in HD series, the Palace Cinemas recently screened Berlioz’ epic opera Les Troyens, Francesca Zambello’s acclaimed 2003 production with Fabio Luisi conducting a cast led by Byran Hymel in the central role of Aeneas, the hero who flees the ruins of Troy for a new set of challenges…
CD Review: SOAR/ Gondwana Chorale
The national youth choir Gondwana Chorale, conducted by Paul Holley and Carl Crossin, has released its debut recording SOAR. Featuring 16 tracks, both sacred and secular, most works are by living Antipodean composers. This repertoire is the hallmark of the ensemble, established in 2008, which has drawn its singers from around the nation. Contrasting with the…
Concert Review: Haydn’s Creation/Australian Haydn Ensemble
The Australian Haydn Ensemble celebrated its tenth anniversary with a with a resplendent performance of Josef Haydn’s 1798 hero oratorio, The Creation, in collaboration with exceptional vocal soloists, an augmented ensemble of period and replica instruments and the Sydney Chamber Choir, all under the direction of Roland Peelman.