In Bach’s own hand.

The first manuscript in Bach’s own hand to enter the public market in 16 years, was sold in London last week, one hundred and eigty three years after it was written:

The first manuscript in Bach’s own hand to enter the public market in 16 years, was sold in London last week, one hundred and eigty three years after it was written:
The Music Performance Unit UNSW has awarded its 2020 Willgoss Ensemble Composition prize jointly to Elizabeth Younan and Michael Grebla. The prize is aimed at encouraging and promoting the creation of an original, short work for ensembles, in support of a thriving instrumental and choral program at UNSW Sydney. The winners each receive $2500 and…
The Sydney Eisteddfod announces the launch of Stage At Home, created so that the talent of the 2020 Festival can be showcased and enjoyed from the comfort of your own home. Entries are open and will be accepted until July 29. Videos will be uploaded until July 31. The Sydney Eisteddfod invites eveyone in their…
Last month, Rupert Myer AM, Chair of the Australia Council, addressed the The Australian Institute of Art History at The University of Melbourne on the topic of ‘Global Giving to the Arts’. In his speech which emphasised maximising leverage by the right mix of public and private spending, he said “Getting public policy right in the…
In more news about pianists, the AFR has published this interview with 23 year old Russian protege Daniil Trifonov and ends the feature with a list of the very best 6 pianists who are not yet 35 years old.Guess who they are…
Simone Young returns to Australia at the end of July to conduct the Australian Youth Orchestra in Brisbane. In this interview with the Sydney Morning Herald she talks about her tenure in Hamburg and her plans for the future: http://www.smh.com.au/entertainment/music/funding-means-its-a-long-way-between-sydney-and-hamburg-20120622-20t5k.html http://www.smh.com.au/entertainment/music/climbing-every-mountain-with-a-bit-of-metal-20120622-20t5h.html
Prokofiev’s madcap ‘anti-opera’ opened on Sydney this week. There is an abundance of satire in Tom Stoppard’s wickedly funny English libretto with plenty of belly laughs, fantasy and high camp embedded in a riot of colour. Scroll down to see all 7 images. Images courtesy Opera Australia