In Bach’s own hand.
The first manuscript in Bach’s own hand to enter the public market in 16 years, was sold in London last week, one hundred and eigty three years after it was written:
The first manuscript in Bach’s own hand to enter the public market in 16 years, was sold in London last week, one hundred and eigty three years after it was written:
With the demise of the vinyl record, the repository of art work – both good and bad – created for record covers was also lost. These artworks chronicled the styles of the times and showed some of the artists in a rare light. Gramophone presents 15 of the less successful covers from its collection alongside three…
The IFAC Australian Singing Competition is open for entries! Both professional and amateur opera or classical singers aged under 26 on June 23rd are eligible to compete. The total prize money in 2012 exceeded $215,000 and includes the prestigious Marianne Mathy Scholarship – the ‘Mathy Award’. Queensland born bass Jeffrey Black is this year’s National Adjudicator. Part of his…
The Australian Chamber Orchestra today releases a new album Celebrating 40 Years, on ABC Classics, (ABC 481 4571). The double CD which is also available digitally, marks four decades of excellence in music-making, combined with the ACO’s hallmark spirit of innovation and the thrill of musical adventure. The album opens with Irkana IV by…
Anna Netrebko and her husband, tenor Yusif Eyvazov are releasing a new album of love song duets Romanza, on 1 September 2017 ahead of their duo recital in Sydney on 24 October. The double CD with 35 tracks is out on September 1 on the Deutsche Grammophon label. Romanza is not only Anna Netrebko’s first duet…
The Marais Project has commissioned a number of new works in 2014 to celebrate its 15th anniversary year. The first of these new pieces is by composer and viola da gambist Alice Chance whose work “Mathematics of Motion” will receive its world premiere at the Marais Project’s season launch, “Rameau”. Philip Pogson caught up with…
“A great opera experience — intimate or grand, traditional or unconventional — can have a powerful effect…….. But my gut (and the global decline in opera subscriptions) tells me that when opera tries to sex itself up and compete with mega-spectacles, it loses its power to connect with audiences.” A ‘must-read’ from Lindy Hume, past…