The ACO’s ‘Beethoven 9’ concert reviewed

Vincent Plush reviews The ACO’s Canberra performance of Beethoven’s 9th symphony with the Choir of Clare College, Cambridge:

Vincent Plush reviews The ACO’s Canberra performance of Beethoven’s 9th symphony with the Choir of Clare College, Cambridge:
‘The Russian’ The Metropolitan Orchestra/ Benjamin Kopp, piano /Sarah-Grace Williams, conductor 16 April 2016 Eugene Goossens Hall, ABC Centre, Ultimo The Metropolitan Orchestra, now in its seventh year, consists of notably young musicians whose performances display the energy and enthusiasm of youth. Their second MET concert for 2016 consisted of two major works by…
Bittersweet Obsessions: Monteverdi and Bach Australian Brandenburg Orchestra City Recital Hall 25 October 2017 The Australian Brandenburg Orchestra’s Bittersweet Obsessions: Monteverdi and Bach is an engaging pastiche of early and baroque music, performed in a dramatised setting by thirteen members of the orchestra, led by concertmaster Shaun Lee-Chen. Joined by four vocal soloists – New…
Handel Messiah/Marc Minkowksi/Deutsches Grammophon Virtuoso. Nearly three centuries after Handel’s Messiah was first performed in 1742, and nearly a century after its first recordings in the 1920s, Deutsche Grammophon has re-released a 2001 Archiv recording conducted by Marc Minkowski on its Virtuoso label (Catalogue Number 478 6175). Virtuoso promises quality performances at an affordable price….
Nijinsky The Australian Ballet Sydney Opera House 12 November 2016 Written by Deen Hamaker In 1919, a broken Vaslav Nijinsky gave his final performance in the lobby of a Swiss hotel. American ballet dancer, choreographer, and director American ballet dancer, choreographer, and director John Neumeier has taken as his starting point, the recollections and thoughts…
Bass Instincts Alicia Crossley Move Records Not a great deal is heard of the bass recorder. It is the hidden family member, the lowest voice in the woodwind recorder consort; the serious, elder statesman, providing the unobtrusive but rock-solid foundation, while the descant recorder grabs the spotlight with its more brilliant and nimble sound. The…
It was the final rehearsal of Opera Australia’s production of Offenbach’s Orpheus in the Underworld and Artistic Director Lyndon Terracini’s pre-curtain up announcements presaged something different. For this performance only, the audience was encouraged to tweet and secondly, they would be allowed to take photos during the final curtain calls. Stepping even further away from…