The Song Company’s ‘Sunken Dreams’ reviewed
Vincent Plush reviews The Song Company’s Sunken Dreams for The Australian:
http://www.theaustralian.com.au/arts/music/company-on-song/story-fn9d2mxu-1226444025366
Vincent Plush reviews The Song Company’s Sunken Dreams for The Australian:
http://www.theaustralian.com.au/arts/music/company-on-song/story-fn9d2mxu-1226444025366
The Australia Ensemble UNSW’s “Cycles” program was “a display of solid, skilful ensemble playing.”
Nijinsky The Australian Ballet Sydney Opera House 12 November 2016 Written by Deen Hamaker In 1919, a broken Vaslav Nijinsky gave his final performance in the lobby of a Swiss hotel. American ballet dancer, choreographer, and director American ballet dancer, choreographer, and director John Neumeier has taken as his starting point, the recollections and thoughts…
The Turk in Italy, G Rossini, libretto by Felice Romani after the libretto by Caterino Mazzola Opera Australia, Wednesday January 22nd If Rossini’s opera The Turk in Italy (Il Turco in Italia) were set in present times, the long sea voyage undertaken by Selim the Turk, eventually landing with his entourage on a…
Last week Stuart Skelton sang the title role of Peter Grimes in a concert version of Britten’ eponymous opera at the BBC Proms in London. Tim Ashley of TheGuardian describes the production as “overwhelming …sung, acted and played with uncompromising veracity and commitment”. Sydney audiences would be familiar with Skelton’s electrifying performance as Grimes when he sang the role for…
Bedlam Strange Bedfellows Leadbelly, Newtown 7 August, 2017 Written by Deen Hamaker The Strange Bedfellows are a formidable duo comprising Jacqueline Dark and Kanen Breen. Dark is a renowned mezzo-soprano famed for her performances in opera (Herodias, Fricka, Amneris) and more recently as Mother Superior in the national tour of The Sound of Music. Breen, star…
Music critic Michael Church once noted the existence of “Those who mistakenly believe that historical operas by dead composers can only be made ‘relevant’ if they are updated and taken out of their traditional theatrical context”.* Whether or not you subscribe to this view, Opera Australia’s Roger Hodgman directed offering of Verdi’s masterpiece Rigoletto demonstrates…