Aida reviewed
Opera Australia’s production of Verdi’s Aida, conducted by Arvo Volmer and directed and choreographed by Graeme Murphy has opened in Sydney.
Peter McCallum reviews it for the Sydney Morning Herald:
Opera Australia’s production of Verdi’s Aida, conducted by Arvo Volmer and directed and choreographed by Graeme Murphy has opened in Sydney.
Peter McCallum reviews it for the Sydney Morning Herald:
Researching the material for her new album, The Good, the Bad and the Awkward I imagine pianist Sally Whitwell reclining in an armchair in front of her television with a box of truffles and a magnum of French champagne slaving her way through dozens of movie classics. She admits that researching this project, was ‘too much fun’. The Good, the Bad and the Awkward is a…
The Vienna Boys Choir’s 2015 Christmas release Merry Christmas from Vienna out on the Deutsches Grammophon label (DG 00028948119479) is a heart-warming anthology of sacred and secular festive songs that include both the traditional and the modern. If ever the Vienna Boys Choir made a recording that you could sing along with or dance to – then…
The instruments, techniques and musicianship of the AHE are integral to its distinctive sound – a critical element in keeping this historic, genteel and entertaining style alive.
The Sydney Symphony Orchestra’s program The Protecting Veil presented three gorgeous pieces of music, linked in ideas and time.
Gondwana Choirs National Choral School Concerts The Concourse, Chatswood, Saturday Janury 18th,3 pm Let the politicians argue about the school curriculum. Send your children to Gondwana Choirs National Choral School – they will learn a great deal and have googols of fun. The Saturday concerts were the culmination of two weeks of workshops…
The Song Company Love in Venice The City Recital Hall, Sydney Wednesday March 14th 2012 The contemporary relevance of 16th century European music is ever real. Roland Peelman, Artistic Director of The Song Company proved this when he chose 9 madrigals composed between 1603 and 1619, from Claudio Monteverdi’s vast oeuvre, and paired them with the highly theatrical…