‘Bears with guns’ this weekend – not as dangerous as it sounds


Back by popular demand, The Metropolitan Orchestra presents Prokofiev’s Peter and the Wolf in their Cushion Concert series. This interactive concert is designed to engage, educate and inspire children as they are introduced to classical music. Featuring familiar music that your child will know and love, the concerts include the opportunity for every child to…
As the doors close on the 2017 National Choral School, Gondwana Chorale will leave for their extensive tour of the USA, covering seven cities from San Franciso and Los Angeles, to New York, Philadelphia, Washington DC, Boston and Cambridge MA. They will sing in prestigious venues like the Kennedy Centre for the Performing Arts in Washington…
The Choir of St James’ directed by Warren Trevelyan-Jones is joined by the Choir of Trinity College, University of Melbourne directed by Christopher Watson, in Incarnation, a programme of sumptuous choral music reflecting the end of mortal life and the journey beyond death. Journeying from the depths of despair to the light that brings hope and…
Nigel Westlake, the Willoughby Symphony’s 2018 Composer-in-Residence is guest conductor for Flight, a breathtaking concert of Nigel’s innovative works. One of Australia’s greatest composers, Nigel Westlake’s music has won numerous awards and is performed all over the world. He has created several dramatic film soundtracks as well. The opening item from the evocative score for the film Paper…
The magic of a candlelit century old church is the setting for The Idea of North’s next Sydney concert in April. In ‘Ballads by Candlelight’ the a capella quartet will present, in their inimatable style, the songs of The Beatles, Stevie Wonder, Sting and Joni Mitchell. The concert marks the return of alto Naomi Crellin to…
This year, the Choir of Christ Church St Laurence, conducted by Dr Neil McEwan, celebrates its patronal festival day with a performance of Jean Langlais’ (1907-1991) Messe Solennelle– a work whose simple beauty hides the complexity of the music and described by the choristers as ‘a joyously semi-anarchic, mid-twentieth century French musical romp, for choir and organ.’ Langlais, though…