Concert Review 2: Britten’s ‘War Requiem’/Sydney Symphony/Ashkenazy
……and this from Murray Black in The Australian.
……and this from Murray Black in The Australian.
Baroque to Broadway Yvonne Kenny and the Choir of St James’ King Street directed by Warren Trevelyan-Jones St James’ King Street September 10, 2015 It was a marvellous opportunity to hear soprano Yvonne Kenny in the intimate sanctuary of St James’ King Street, when she joined its choir to perform music from Baroque to Broadway….
The highly anticipated production of La Traviata staged on Sydney harbour opened on Saturday night. This production has polarised opera lovers. Without doubt the performances are superlative and the concept of an open-air opera with the spectacle of Sydney harbour as a backdrop is irresistible. As to whether it is ‘opera’ – the verdicts on that proposition are rolling in. As pure entertainment…
As the final notes of Ravel’s String Quartet faded, I wondered what might have coursed through the minds of the players in the Australian String Quartet, especially violinist Sophie Rowell and violist Sally Boud who have chosen to go their own ways from 2012. These four musicians have performed together since 2000, the last 5 years,…
Soprano Jane Sheldon is a well respected and popular exponent of two broad styles of music at opposite ends of the timeline – Baroque and early music and, ‘New’ music. Her latest venture a CD with the title North + South (Phosphor Records PR 0001), released earlier this month, demonstrates her mastery of yet another style. North + South is a…
Dido’s Lament is the debut release by pianist Joe Chindamo and violinist Zoë Black on their newly formed recording label Mo’OzArt. For the ‘classically’ trained Black and Chindamo, the pianist with the reputation as a jazz musician, it is a fusion of styles which seeks to shatter pre-conceptions and create what Chindamo describes as a…
Kudos to Michael Gow and Musica Viva with Victorian Opera for their creation Voyage to the Moon, a Baroque pastiche with libretto and direction by Gow, and a score constructed by the late Alan Curtis, complemented by Calvin Bowman after Curtis’ sudden death during the project. The chamber opera opened in Sydney this week with…