Concert Review: Musica Viva/Macliver/The AAM/Egarr
“A glorious mastery over these sometimes-troublesome instruments” says Peter McCallum in the Sydney Morning Herald.
…..and Graham Strahle reviews the Adelaide concert for The Australian
“A glorious mastery over these sometimes-troublesome instruments” says Peter McCallum in the Sydney Morning Herald.
…..and Graham Strahle reviews the Adelaide concert for The Australian
The Silver Violin (Decca) is the title of the 7th recording for the 25-year-old violinist Nicola Benedetti. It’s a well matched collection of original violin music written for the silver screen, performed by the 2012 Classic Brit Awards ‘Female Artist of the Year’. The CD is a fine demonstration of the breadth of Benedetti’s versatility and the…
Last weekend I had the exceptional pleasure of strolling through the Art Gallery of New South Wales, viewing its spring/summer exhibition of over 70 paintings – The Greats: masterpieces from the National Galleries of Scotland. The collection spans more than four centuries of art with works from the Renaissance (Botticelli’s The Virgin adoring the sleeping…
Sydney Youth Orchestras Janáček and Brahms Verbrugghen Hall, Sydney Conservatorium of Music 24 March, 2019 The Verbrugghen Hall at the Sydney Conservatorium of Music resounded with the cacophony of 70 young orchestral players of the Sydney Youth Orchestra Philharmonic, rehearsing their parts at full volume, playing fast as they could, before being tamed by the…
Sydney pianist Stephanie McCallum has released the first volume of Recueils de Chants a series of tone poems for piano by Charles-Valentin Alkan. This first edition contains the first three of five books, adding a world premiere recording of Une fuse a spinning song.tone poems by Charles-Valentin Alkan. Recorded in the Recital Hall West, of the Sydney Conservatorium of Music during 2012, there is nearly 75…
La traviata, Opera Australia Joan Sutherland Theatre, Sydney Opera House, Tuesday 28 March 2017 Written by Deen Hamaker When Giuseppe Verdi’s La traviata premiered at Teatro La Fenice in Venice in 1853, theatre management insisted that the opera be set in the early 18th Century. Verdi had wanted his opera in portrayed in contemporary times….
Simon Tedeschi proved himself to be as skilful an ensemble player as he is a soloist and Sally Walker is, I believe, Australia’s best flautist.