Concert Review: Songs of Solitude And Solace

SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.

SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.
Album Rhythms of Change is a recent release by Australian percussionist Claire Edwardes on the Move label. Edwardes has made a towering contribution to raising the profile of percussion music in ensemble and in solo. This album was driven by her additional recognition of the need to address the lack of representation of women in…
The Sydney Conservatorium of Music was the venue for the concert launch last month of the CD Chiaroscuro, Modern works for soprano and piano a debut collaboration between soprano Jane Sheldon and pianist Zubin Kanga, two forward-looking Australian musicians with busy international careers. Chiaroscuro is an anthology of works spanning the works of major Australian…
Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald: http://www.smh.com.au/entertainment/music/groups-bent-for-innovation-is-lost-in-fragments-of-sound-20120816-24b7y.html
Beethoven’s Piano Concerto, The Australian Haydn Ensemble, Utzon Room, Sydney Opera House, Monday 29th September 2014. When Daniel Barenboim undertook his recently completed mission to perform and record all of Beethoven’s piano concertos, he did so playing a ‘concert grand’ piano, with a full orchestra – in the case of the recordings, the Staatskapelle…
Seraphim Trio Schubert, Schumann and Korngold Independent Theatre, North Sydney 28 October , 2018 Written by Victoria Watson The three core musicians of the Seraphim Quartet augmented their ensemble one by one after performing a piano trio, becoming a quartet and then quintet in this extraordinarily fine concert. Violinist Helen Ayres, cellist Timothy Nankervis and…
Salome – Richard Strauss Opera Australia Joan Sutherland Theatre, Sydney Opera House 6 March 2019 If Richard Strauss’ Salome were a movie, it may well display an X rating. Incest, necrophilia, lust, decapitation and suicide are all notorious elements in this, the third of Strauss’ operas and the one which made his name. Opera Australia’s…