Daniel Müller-Schott on the Britten and Prokofiev cello Symphonies

Cellist Daniel Müller-Schott, Guest Artist with the ACO2 this month, talks about his recording of the Cello Symphonies by Britten and Prokofiev.

Cellist Daniel Müller-Schott, Guest Artist with the ACO2 this month, talks about his recording of the Cello Symphonies by Britten and Prokofiev.
Soprano Greta Bradman’s new CD Grace on the Sony label, is for her, “a desire to take us on a journey to a place of innocent hope in life” she said to SoundsLikeSydney. Superficially, this may seems at odds with some of the selections on this, her second CD. (Her first CD Forest of Dreams was…
In this video, soprano Julia Lezhneva talks about Vivaldi’s sacred motet In furore iustissimae irae RV 626, which she has recorded with Il Giardino Armonica and Giovanni Antonini on her Decca CD Alleluia.
“Baroque Duets” a new CD release, has a lot to say for itself. First and foremost, it is a superb compilation of Baroque vocal music, eminently listenable but away from the beaten track; it is also a historically informed and technically well executed performance by singers and instrumentalists on period instruments; it even contains a…
Pianist Sally Whitwell puts a glaze on the music of Philip Glass with a CD “Mad Rush” (ABC Classics) to be released on June 3rd. Check out her video here! To whet your appetite, the first track from this CD “Opening”, is already available on itunes. www.itunes.apple.com Sally Whiltwell had this to say about the track: “It’s funny, when you look…
As the world celebrates the 25th anniversary of the fall of the Berlin Wall in November 1989, SoundsLikeSydney remembers the legendary cellist Msitislav Rostropovich who arrived at the crumbling landmark and performed the cello suites of J S Bach through the night in an expression of spontaneous joy and freedom.
Rome based chamber ensemble I Musici celebrate their 60th anniversary this year and soon perform in Sydney in the Utzon Music Series. Go behind the scenes of their 60th anniversary recording.