Similar Posts
The Australian Brandenburg Orchestra’s ‘Bach Eternal’ reviewed
‘The hallmarks of excellence from beginning to end” says the Sydney Morning Herald’s reviewer, David Vance. http://www.smh.com.au/entertainment/music/aural-delight-from-start-to-finish-20120513-1ykv1.html
A ‘Masked Ball’ – universal truths about power and survival sung with panache
Love it or loathe it, Opera Australia’s world premiere of a new production of Verdi’s opera Un ballo in maschera (A Masked Ball) has already polarised its pre-production and opening night audiences. The presentation is well resourced and diverse in its aesthetics. Presented in association with the Sydney Festival, it has been created by Catalan…
Opera Review: Carmen/ Opera Australia
Carmen – Georges Bizet Opera Australia Joan Sutherland Opera Theatre, Sydney Opera House, June 16, 2016 The neon colours of Vivid met their match last week when a rival kaleidoscope of colour erupted within the Joan Sutherland Opera Theatre for the opening night of Opera Australia’s new production of Bizet’s Carmen. It was a…
Opera Review: The Pearlfishers/ Opera Australia
The Pearlfishers – George Bizet Opera Australia, January 15, 2016 Joan Sutherland Theatre, Sydney Opera House Don’t blame Bizet. Though he travelled extensively through Italy for three years from 1857, this was about as far east as the Frenchman ventured, and so his opera The Pearlfishers, written in the summer of 1863, when he was…
Concert Review: Mozart’s Requiem/ Sydney Chamber Choir/ Muffat Collective
The Sydney Chamber Choir, the Muffat Collective and four vocal soloists are simply magnificent in their concert entitled Mozart’s Requiem.
‘The Lighthouse’ reviewed
Sydney Chamber Opera recently presented a superb production of The Lighthouse by Sir Peter Maxwell-Davies, highy commended by those who saw it. Peter McCallum reviews it for the Sydney Morning Herald: Click here to read.