ENO shuns the big screen
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
The attrition of greats continues. Sir Peter Maxwell Davies has died. Read his obituary in Gramophone Magazine and on BBC News.
This week, conductor Benjamin Northey makes his debut with Opera Australia, taking the rostrum for the company’s production of Mozart’s Don Giovanni (K527). Northey spoke to SoundsLikeSydney whilst preparing for this major undertaking – preparation which has involved rehearsing with the incoming cast, assisting Mark Wigglesworth (who conducted the opening performances), being his ‘ears’ in…
A fascinating feature on tuning – past, present and future – from Philip Clark of Gramophone magazine. He claims “The argument goes that equal temperament is becoming increasingly streamlined and corporate, and man’s capacity to hear and feel subtle inflections of tuning is in slow retreat.” http://www.gramophone.co.uk/features/focus/tuning
In an interview on radio some years ago, Adrian Collette, then CEO of Opera Australia (OA) was challenged with the assertion that opera was an art form for the elite. He countered ably, with the observation that the only thing elite about opera was the training undergone by its practitioners. Claims of elitism in the…
The Australian Chamber Orchestra has again impressed on the international stage with its performance at the Edinburgh Festival, an achievement whose significance is swelled by the knowledge that performing at this hallowed event is strictly at the invitation of Festival Director Jonathan Mills. With Richard Tognetti directing from the violin, the concert was simulcast on BBC3 and included works…