ENO shuns the big screen
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
One of the world’s leading clarinetists, Andreas Ottensamer is joined by one of the world’s leading pianists, Yuja Wang in a new release from Deutsche Grammophon, out today. The album, Blue Hour contains beautiful and deeply emotional pieces by Brahms and Mendelssohn and the virtuosic Grand Duo and Concerto by Weber. This is the debut chamber music…
In an age where perfection is an ideal and conformity a virtue, pianist Sally Whitwell refreshingly admits that she is not perfect. She sees beauty in imperfection, and the title of her newest ARIA Award winning album, All Imperfect Things affirms her view. Named the Best Classical Album at the 2013 ARIA Awards, Sally…
Available today is a new recording of Vivaldi’s vocal music Gloria, from the brilliant soprano Julia Lezhneva, with Argentinian counter-tenor Franco Fagioli and Swiss organist and conductor Diego Fasolis conducting the Coro della Radiotelevisione Svizzera and I Barocchisti, today’s Vivaldi interpreters par excellence. These stars of the Baroque have collaborated to record Vivaldi’s Gloria in D major RV 589, his…
The New Music Director of Sydney Chamber Choir, conductor Sam Allchurch reflects on creating A Royal Affair Like many lovers of choral music, I have a real soft spot for Handel. His works for choir express the full range of human emotion from uplifting joy to poignant tragedy. Unlike that of his contemporary Bach, Handel’s…
Our friends at Elysian Fields, Australia’s innovative electric gamba ensemble are offering readers of SoundsLikeSydney two double passes to their concert on Thursday October 10, 8.30 pm at Foundry616, 616 Harris St, Ultimo. “Electric gamba band Elysian Fields presents a uniquely configured line up of saxophone, voice/violin, electric viola da gamba, piano, bass guitar and…
Paul Dyer, AO is sitting in the Sydney offices of the Australian Brandenburg Orchestra, reminiscing about the very first concert given by the pioneering ensemble.”It was January 1990, we launched at the Sydney Opera House and the natural horn was the very first sound of the Brandenburg. It was a Duo for Two Horns…