Costume designer Brigitte Reiffenstuel, set designer Charles Edwards and lighting designer Paule Constable realised by Catherine Alexander bring to life Gounod’s grand opera Faust for Opera Australia. Soprano Irina Lungu, tenor Ivan Magri and bass-baritone Teddy Tahu Rhodes create a formidable trio of soloists with a luxury cast of supporting soloists, the Australian Opera Chorus, the Australian Opera Orchestra, dancers and actors. The opera’s last run in Sydney in 2015 was so popular that an extra performance was added. Scroll down to see all 6 images from the production. which runs at the Sydney Opera House on selected evenings with one matinee, until March 11.
Teddy Tahu Rhodes as Méphistophélès and actors in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
Irina Lungu as Marguerite and Teddy Tahu Rhodes as Méphistophélès in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
Dancers in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
Dancers in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
Dominica Matthews as Marthe in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
Teddy Tahu Rhodes as Méphistophélès in Opera Australia’s production of Faust at the Sydney Opera House. Photo credit: Prudence Upton
There was a riot of colour both outside the Sydney Opera House with Vivid in full swing, as well as inside, when Opera Australia’s new production of Bizet’s Carmen, directed by John Bell, opened last night. Check out these kaleidoscopic images: scroll down to see all 10 images. Images courtesy Opera Australia.
This entertaining feature from the New York Times looks at the role of food in opera: http://www.nytimes.com/2012/05/09/dining/opera-singers-who-dine-as-part-of-the-show.html?_r=1
Happy Birthday George Frideric Handel born this day in 1685! Check out the Australian Brandenburg Orchestra’s debut performance of Handel’s masterpiece Messiah, which opened at the City Recital Hall last night, with the Brandenburg Choir and soloists. The season runs in Sydney till March 4. Scroll down to see all 7 images. Images by Steven Godbee, courtesy…
The ‘Modern Master’ Steve Reich talks to Phil Johnson of The Independent ahead of the world premiere of his new composition, Radio Rewrite drawn from the music of Radiohead. He discusses the musicians who influenced him. For Reich, Baroque and bepop, Coltrane and Classical were simply part of a spectrum, not to be segmented by labels. It is a fascinating…
“Intensity and virtuosity are the hallmarks of this orchestra”. Read the New York Times review of the Australian Chamber Orchestra’s performance with soprano Dawn Upshaw at Carnegie Hall early this week. http://www.nytimes.com/2012/05/02/arts/music/australian-chamber-orchestra-at-carnegie-hall.html?_r=1&ref=music Benefactors, a Stradivarius and The Glide build the bottom line for the ACO: http://www.smh.com.au/entertainment/music/rare-violin-lifts-aco-bottom-line-20120502-1xz60.html http://www.theaustralian.com.au/arts/acos-subscription-switch-wins-surplus/story-e6frg8n6-1226345172062
